Saturday, February 18, 2023
Swimfan
Friday, February 17, 2023
The Year of Spectacular Men
Thursday, February 16, 2023
Unplugging
Year 15, Day 47 - 2/16/23 - Movie #4,348
BEFORE: I'm not even halfway through the romance chain, but I have to start thinking about what comes after - I had the chain worked out up to TWO Irish-themed films for St. Patrick's Day, but what happens after that? I've got an Easter film left from two years ago (I couldn't link to it last time) and I think that if I can get to "Black Panther: Wakanda Forever" a few days after St. Pat's, I've got not one but TWO paths that get me to Easter in the right number of days. There's some overlap, fortunately with a bunch of cool films that I definitely want to see sooner and not later. But OK, THEN what?
The Easter film has an intro, just not much of an outro - the only thing I can link to is a documentary, but then do I program a bunch of docs or just get straight to "Top Gun: Maverick"? It's a dilemma - I usually save my Rock & Doc Block for summer, but the linking's kind of telling me that maybe it should be in April. I guess it all depends on how much time I need to get to something for Mother's Day, and there's just no way to figure that out right now. I'll have to table this discussion until late March or early April - maybe I can do a small doc chain in the spring and then another one in summer? Maybe I'll never do another 40-film doc chain like last year ever again, so I should just work them in wherever I can. It's a stumper.
Lea Thompson carries over from "Sierra Burgess Is a Loser".
THE PLOT: To revive their marriage and reconnect, a couple takes a self-prescribed digital detox weekend to a remote mountain town. What starts as a perfect weekend getaway without technology quickly spirals out of control.
AFTER: This is one of those films that "means well" - as in it definitely has a point to make, and that point may even be an important one, namely that some of us are spending so much time on our phones, what with work e-mails, personal e-mails, texts, updating our calendars, buying stuff, booking flights and hotels, finding a place to eat dinner, trying to figure out where we've seen that actor before, paying the cable bill, checking our bank balance, and then don't even get me started on all the great games and all the movies to watch on those streaming apps. Does anybody even remember what life was like before we used our phones for everything? It's got to be affecting our relationships, and if it's not all that time your significant other spends on their phone that's bugging you, it's probably that STUPID ring tone they have, you know the one, or it's that you don't "get" the videos they watch on YouTube, where people just unwrap stuff or describe how other people play video games. I mean, what IS the point?
Umm, but THAT'S the point of this movie, and I'm not saying the movie's wrong, but the message is buried under so much lame comedy and so many dead-end subplots that go nowhere, how are we even supposed to FIND the message? Jeez, the Wiki page for this movie doesn't even give a breakdown of the plot, as if to say, "Wait, there was a PLOT?" Well, no, not really. A couple goes on a vacation to a place where there's bad cell service, that hardly counts as a plot. There are also a bunch of drones flying around, and the locals act weird, so you might think that there's some secret military thing going on, or aliens have taken over the town, or everyone's a Russian spy - it's none of those things, but any of those things would have been better. This is just a place in Oklahoma or Indiana or something where there's bad reception, and these two married people end up going bonkers because of it.
They steal a car, they almost kill a chicken, they shoplift from a gas station - not their finest moments, to be sure. Admittedly, they're concerned about their daughter that they left with her grandmother because they found their daughter's inhaler in the car, and the last half-message they received before their phones died was something about going to the hospital. But is that enough reason to panic and cause damage to themselves and others, just because they DON'T know for sure what's going on back in Chicago? Umm, no it doesn't. Maybe if I had kids, I might feel differently, but then again, maybe not. Dumb plot is dumb plot.
The whole thing started because of a funeral, the husband was friends with the UPS guy, because he's got an artisanal hot sauce business and the UPS guy made frequent pick-ups. The UPS guy died, and this maybe made the husband realize that he himself was mortal, and too much of his life and his time and his wife's time was being spent on the phone. Yeah, it's a bit of a stretch - you'd think that someone's death might encourage you to get a better career because you realize your own personal clock is ticking, but this guy chose to instead push for a weekend in the country re-connecting with his wife, without any devices. That was the plan, anyway.
His wife is the total opposite, she works for a commercial real estate leasing company or something, and she's on the phone all day every day, if she can't sleep she's sending out company e-mails in the middle of the night, and in fact she's TOO eager around the office, the head of HR got complaints about a JibJab video she sent, so she's invited to take a couple of weeks off to decompress and maybe develop a less eager approach to work. Yeah, I find it hard to believe that a company would ask someone to stop working so eagerly, but that's where we find ourselves with this story.
Again, this is NOT about the struggle to stay married, that part's sort of never in question - these two kind of deserve each other, despite being opposites. (Umm, opposites attract, right?). It's about how some people have let the phones come between them, because any time spent on your phone is time that you're NOT connecting with your partner. But then, if you had to quit using your phone cold turkey, you probably wouldn't know how to do anything, and you'd also go a little mad from withdrawal - all those apps on your phone reward you with SOMETHING, whether it's "likes" or an in-game reward, or that movie you've been dying to see, or just seeing someone who isn't you falling down. If you stop getting those little rewards, it's going to be a letdown, I'm just saying. We've all come too far to stop now - sure, get off social media if you can, but you'll be back if you can't find satisfaction and gratification somewhere else.
This movie grossed just $52 thousand last year, and if not for taking suggestions from Hulu, I never would have heard of it. I'm entertaining the possibility that I might be the first person to both watch AND review this film, simply nobody else cares. I get it, there's not anything here to really draw anybody in. Essentially, since it's about city people having awkward interactions with the local yokels, this is just a re-packaged version of "Schitt's Creek", which itself was a re-packaged version of "Green Acres". Right?
Also starring Matt Walsh (last seen in "Brigsby Bear"), Eva Longoria (last seen in "Rita Moreno: Just a Girl Who Decided to Go for It"), Keith David (last seen in "Gamer"), Nicole Byer (last heard in "The Bob's Burgers Movie"), Al Madrigal (last seen in "Morbius"), Johnny Pemberton (last seen in "Weird: The Al Yankovic Story"), Hala Finley, Joel Kim Booster (last seen in "The Week Of"), Tina Parker (last seen in "The Ridiculous 6"), Brad Morris (last seen in "Bombshell"), Stacie Greenwell (last seen in "Vice" (2018)), Gail Cronauer (last seen in "Dr. T and the Women"), Krista Perry, Heath McGough (last seen in "Please Stand By"), Lureena Cornwell, Anthony Parker, Nancy Friedrich, Morgan Walsh, Emmett Walsh, Pat Walsh,
RATING: 3 out of 10 Chinese conspiracy theories
Wednesday, February 15, 2023
Sierra Burgess Is a Loser
Year 15, Day 46 - 2/15/23 - Movie #4,347
BEFORE: This is the second film this month - and second in Valentine's Week - that's (loosely) based on the classic tale of "Cyrano de Bergerac". So that means that over the last few years in Hollywood, there were at least THREE films based on that story in production, I'm counting the "Cyrano" movie starring Peter Dinklage that came out last year. I worked at the NYC premiere of THAT film, but mostly outside doing crowd control - I got to see all the stars arrive by limo that way. That film turned out to be much trickier to link to, so I've got to see about next year, or if not whether I can work it in somewhere else.
Wolfgang Novogratz carries over again from "The Last Summer", and I'm afraid I've run out of high-school based romances with Wolfgang Novogratz in them - I'm going to miss the guy, I think. More filmmakers need to cast him as high-school jocks before next February rolls around. After four films, he's tied for second place (along with Robert De Niro and Liam Neeson!) for appearances in Year 15.
THE PLOT: A case of mistaken identity results in unexpected romance when the most popular girl in high school and the biggest loser must come together to win over their crushes.
AFTER: Yeah, this one's a bit clunkier than "The Half of It", both films tried to update the story by switching out text message for love letters, which I suppose you have to do these days, it's just that "The Half of It" did it better. Plus it had lesbians, so way cooler. By contrast, "Sierra Burgess Is a Loser" had so much texting that I COULD NOT READ on my TV screen, and I've got a giant TV screen, by the way (it's not bragging if it's true...). Some films resort to putting the contents of text messages in little extra "bubbles" on the screen, for the benefit of the viewers, which I just plain hate, but at least then I can read them. Here some director or cinematographer just assumed that we'd all be able to read those text messages from the phone, as an actor with very shaky hands held them. Well, thanks to the bright text messages on an even brighter phone screen, most of the time I COULD NOT READ the text messages. Once in a while a character would also SAY the message as he or she typed it, which was helpful because then the contents would also be in the captions, which I keep on. But, most of the time, they didn't, so I couldn't. What a shame.
What DOES work here is the popular girl giving out the unpopular girl's phone number instead of her own, to prospective dates that she wants to get rid of. After all, she IS dating a college boy, so why does she need high-school boys calling her? The poor sap gets Sierra's phone number instead of Veronica's, and Sierra is just so happy that SOMEONE is texting her that she doesn't take the time to correct him. Umm, fine, if that's the way you want to handle this, but there's a term for pretending to be someone else on-line, and it's "catfishing". How are we supposed to like Sierra as a main character if she's guilty about being dishonest, and pretending to be the most popular girl in school, just to be able to talk to an interested boy?
Further problems arise when they stop sending emojis and memes, and Jamey starts sending pics from his workout sessions? How is Sierra supposed to get photos of Veronica? (Umm, the easy answer is to download them from her social media feed, but either she didn't think of that, or the film just doesn't want to go there. But it's all catfishing, right?). Instead Sierra sees that Veronica is having troubles because her college boyrfriend doesn't think she's smart enough, so she agrees to tutor Veronica in exchange for some posed photos taken with Sierra's phone. But then as things escalate, they have to fake a FaceTime session, and then Jamey wants a date with Veronica in the real world.
To make things worse, Sierra has to pretend to be deaf to get close to Jamey herself, because she thinks he'll recognize her voice from all their phone conversations. She pretends (badly) to be able to use sign language, only to discover that Jamey has a deaf brother, and her signing moves are all nonsense. Yeah, this shouldn't end well - look what happens when an unpopular girl gets a little bit of attention, it's like giving water to a thirsty person in the desert, she just wants more and more. It probably would have been better if she never got any attention at all in high school, because then she'd have her head on straight and she wouldn't cross these lines to deceive someone into kissing her. Stealing is wrong, even if you're stealing a kiss, that's todays "Love Tip" from me to you.
Look, I didn't date in high school, and I turned out fine. (It's convenient you don't know me IRL, so you can't verify this...). But the presence of Alan Ruck as Sierra's father reminds me of something that was said in the movie "Ferris Bueller's Day Off" about his character, Cameron: "He's going to marry the first girl he lays, and she's going to treat him like shit." Hey, I resemble that remark. (Sierra's mother is played by another actor from teen movies, Lea Thompson, who was in "Back to the Future", "Some Kind of Wonderful" and "All the Right Moves".)
Some things were very confusing here - like the fact that Sierra plays in the marching band and Veronica is a cheerleader for one school, but Jamey is a football player for a different school? Wait, don't they all go to the SAME school? If not, then how do they all know each other? There's a reference to some kind of "East/West" game, so some characters go to East Pasadena High and others go to West Pasadena High, that's just odd and clunky - maybe there are two high schools in Pasadena, but the movie would be a lot simpler if they all attended the same school, so why not just make that happen? Absolutely nothing is gained by making Jamey play football for a "rival" team. (Who grew up in Pasadena, the screenwriter or the director?)
Likewise, nothing is gained by showing that the popular gal has a horrible home life, where her father left her mother and her sisters are brats straight out of "Dance Moms". This humanizes Veronica, sure, but it makes it a bit harder to hate her, and you don't want to come close to justifying her bullying of Sierra, that's not right. Having Sierra's father be a successful author, and showing Sierra trying to beef up her college applications by trying out for the boys track team are other plotlines that go nowhere. She's not a runner, so why try out for track, and even then, I'm sure there's a girls track team, is she trying to make a political point of trying out for the boys' team? Very confusing indeed.
Also, was there NO better time for Sierra to talk to her best friend, Dan than during band rehearsal? Like, WHILE the band is playing? This makes no sense, how do they even hear each other? Why doesn't the band leader tell them to stop talking and pay attention? For that matter, why can't Sierra date Dan, if they're such good friends? Just wondering.
Well, that's enough high-school films, for now, anyway. Oddly, two of them had leads that are known for being on "Stranger Things", Natalia Dyer was in "Yes, God, Yes" and today's film had Shannon Purser, who was in Season 1 of the show but, her character, Barb, umm, disappeared a few episodes in, before anybody knew to look for her in the Upside-Down. Just bad luck, I guess.
Also starring Shannon Purser, Kristine Froseth (last seen in "Rebel in the Rye"), RJ Cyler (last seen in "The Harder They Fall"), Noah Centineo (last seen in "Charlie's Angels" (2019)), Loretta Devine (last seen in "The Starling"), Giorgia Whigham, Alice Lee (last seen in "Brittany Runs a Marathon"), Lea Thompson (last seen in "Some Kind of Wonderful"), Alan Ruck (last seen in "My Dinner with Hervé"), Mary Pat Gleason (last seen in "13 Going on 30"), Chrissy Metz (last seen in "Muppets Haunted Mansion"), Elizabeth Tovey, Mariam Tovey, Matt Malloy (last seen in "Cookie's Fortune"), Will Peltz (last seen in "Time Freak"), Geoff Stults (last seen in "12 Strong"), Shoniqua Shandai (last seen in "I'll See You in My Dreams"), Joey Bell, Mario Revolori (also carrying over from "The Last Summer"), Cochise Zornoza, Joey Morgan (last seen in "Scouts Guide to the Zombie Apocalypse"), JT Neal, Brandon Thomas Lee (last seen in "Cosmic Sin").
RATING: 4 out of 10 hurdles (literal ones on the track, not metaphorical ones)