Monday, December 31, 2018

year 10 wrap-up / Year 11 preview

That's the buzzer, signifying the end of regulation play for another year.  Ten years down, God knows how many to go, since I'm no closer to wrapping up then I was at this time last year.  I guess the clock is ticking, because we broke the planet and we'll all be either burned up by global warming or drowning under the rising sea levels, or some combination of the two, within the next two decades.  So there's that to look forward to, I suppose - at least there will be a clear sign that it's time for me to stop.  But let's look back on the year that was, and what it was all about.  This is my annual attempt to draw some form of meaning from a collection of 300 essentially random films, only they weren't really random, and they don't always add up to some larger meaning, but I feel I have to try.

If the ratings are any indication, then my favorite film seen in 2018 was "Ready Player One".  Of course, your mileage may vary, and it's possible that maybe the results were skewed by watching that film on a good day, or maybe it was very relevant to my thoughts and feelings on THAT day, perhaps a re-watch is in order, because it's airing on HBO now - but I just don't have the time, since Movie Year 11 starts in just a few days.  But regardless, this was the only film I saw this year that got a "9" on my scale.  The runner-ups with scores of "8" were "Avengers: Infinity War", "Black Panther", "Incredibles 2" and "Solo: A Star Wars Story".  Yeah, that seems about right for a geek like me.  Nearly 20 films scored "7", so I have to count that as a good year.  On the opposite end of the scale, I saw three films that only rated a "2" from me, which were the 1999 rom-com "The Bachelor", last year's animated film "The Emoji Movie", and 2014's weird horror film "Tusk".  I stand by those ratings.

(I need to note that some films arrived in theaters too late for consideration in 2018 - or too late to be worked into the chain, anyway.  So at the moment I don't know how "Aquaman", "Venom", "Ralph Breaks the Internet", "Spider-Man: Into the Spider-Verse", "Fantastic Beasts 2", "Bohemian Rhapsody", and several others would have stacked up.  But since I'm planning on having access to Academy screeners, I hope to work these films in during the first few months of 2019.  More on this later.)

WARNING: POSSIBLE SPOILERS AHEAD, if you didn't see all of the 300 films that I did this year.

1) By topic, there's no denying that superhero/comic-book films are still dominating at the box office, and are (with the notable exceptions above) usually the things I pay the most attention to, and run out to the theater to see.  Tangential to this topic are the "people with powers" films, even if they're not technically super-heroic, I'm still going to lump them together.  In addition to the Marvel/Disney films "Black Panther", "Avengers; Infinity War", "Ant-Man and the Wasp", "Deadpool 2" and "Incredibles 2", this subject covers "Miss Peregrine's Home for Peculiar Children", "Fantastic Beasts and Where to Find Them" and "Matilda", plus "Split", and even works its way into the spy genre, because the agents in "Kingsman: The Golden Circle" might as well be seen as possessing super-human abilities.  Plus "Kingsman" is based on a comic book, and so were the films "Atomic Blonde" and "Wilson", and when you think about it, "The Legend of Tarzan" and even the Sherlock Holmes films are based on the same sort of pulpy fiction.  What do they all have in common?  They all have people using their best human and super-human abilities to band together to defeat the evil power, it's as simple as that - that's why these films almost always work, because we love to see heroes working together.

2) Of course, superheroes are fantasy characters, but they're not the only ones.  On the flip-side of that there are the monsters and fantasy creatures, which in some years gets relegated to my horror chain in October.  But in 2019 the creatures came out in other months, too, and we had orcs in "Warcraft" and "Bright", the big tree monster in "A Monster Calls" and the Beast in "Beauty and the Beast", plus all kinds of trolls and goblins in "The Spiderwick Chronicles", and a yeti, werewolf, giant mantis, evil garden gnomes and a sinister ventrioquist dummy in "Goosebumps" - and then there were dinosaurs and dragons in "Jurassic World: Fallen Kingdom" and "Pete's Dragon", plus all kinds of amazing creatures in "Fantastic Beasts and Where to Find Them".  Then when October finally DID come around, my focus this year was on ghosts ("Ghost Story", "Topper", "Crimson Peak", "The Others"), two different films titled "The Mummy", 10 classic films about Dracula, and let's not forget about the one-offs like "The Curse of the Werewolf", "Kong: Skull Island", Pennywise the clown from "It" the Gill-Man from "The Shape of Water" and those weird Brat-zis from "Yoga Hosers".  On second thought, let's forget about those.  Oh, and I don't want to forget the alien life-form seen in "Life".

3) Largely, the superheroes and the monsters are franchise films, meaning that they're part of something bigger - why make money from one movie when you can make MORE money from several films?  Like the Marvel Universe, which brought me a respectable number of films this year.  And then the 2017 film "The Mummy" was supposed to be the start of a whole new Universal Monsters franchise, only that now seems like it's DOA.  And it looks like "Kong: Skull Island" is a prequel to a combined King Kong/Godzilla universe to come.  I skipped "Aquaman" so there was no representation from the DC Universe this year, but to be fair, the DCU had a big 2017 with both "Wonder Woman" and "Justice League".  And "Fantastic Beasts" is really a continuation of the "Harry Potter" franchise, but striking out in a new direction.  But you can't talk about franchises without breaking them down into prequels, sequels, remakes and re-boots.  In its own way, "The Mummy" was both a remake and a reboot, plus a prequel that didn't work out.  And all the Marvel films were tie-ins or sequels, like "Ant-Man and the Wasp" was a sequel to "Ant-Man", but also tied in to "Avengers: Infinity War", which itself was a sequel to "Avengers: Age of Ultron" and "Captain America: Civil War".  So was "Black Panther", and of course "Deadpool 2" was a sequel to the original from just a couple years ago.

4) Other sequels I watched this year: "Alice Through the Looking Glass", "Split", "Bridget Jones's Baby", "My Big Fat Greek Wedding 2", "T2 Trainspotting", "Pirates of the Caribbean: Dead Men Tell No Tales", "War for the Planet of the Apes", "Goon: Last of the Enforcers", "Mascots" (sort of), "Mute" (again, sort of), "The Trip to Italy" and "The Trip to Spain", "Jurassic World: Fallen Kingdom", "Mulan 2", "Kingsman: The Golden Circle", "Incredibles 2", "Kong: Skull Island", "Dracula's Daughter", "Son of Dracula" and "Topper Returns".  And I guess you can count "Mr. Holmes" as a sequel to the other Sherlock Holmes stories.  For prequels, there was only one this year, but it was a big one: "Solo: A Star Wars Story" gave us the back story of how Han met Chewie and Lando and became a smuggler.

Then there were a few films that I finally got around to, only to have Hollywood release a sequel shortly after - it's like they don't want me to make any progress at all or something.  This list includes
"Mamma Mia", "Fantastic Beasts", and "Goosebumps".  After that I half-expected Hollywood to announce a sequel to "Junebug" or "I Heart Huckabees".

But it was also a big year for remakes - like "Going in Style", "The Postman Always Rings Twice", "Show Boat", "Beauty and the Beast", "Ben-Hur", "Murder on the Orient Express", "Pete's Dragon", "Fahrenheit 451", "It", "The Stepford Wives" and "Flatliners".  But I'm going to count the following films as re-boots rather than remakes, because they're so very different from the original films that they launched from: "The Legend of Tarzan", "Shaft", "The Birth of a Nation" and "Jumanji: Welcome to the Jungle".  But overall, it's no surprise that everything old is new again, one way or the other.  If a movie made money before, someone will find a way to put a new spin on it and get it released again, so it can make money again.

5) Another way Hollywood makes money is by adapting books into films, and for once, I'm not talking about comic books.  This year I watched all of the Basil Rathbone "Sherlock Holmes" films, some of which were adapted from Sir Arthur Conan Doyle's ground-breaking detective stories, but some had original storylines.  Similarly, the Dracula films all tie back to the original novel in some way, but then tend to go their own direction, and the same goes for "The Legend of Tarzan".  But classic novels were also turned into films like "Beauty and the Beast" and "Alice Through the Looking Glass" (umm, very loosely...) and then more serious novels like "Ben-Hur", "Fahrenheit 451", "Murder on the Orient Express" and the Sherlock Holmes mysteries.  Then some films came from more modern novels like "Bridget Jones's Baby", "Dolores Claiborne", "The Girl on the Train", "The Human Stain", "The Dinner" and the horror book "It".  Others were inspired by YA novels like "Miss Peregrine's Home for Peculiar Children", "Holes", "Goosebumps" and "The Spiderwick Chronicles".  And if I'm being honest, I've had two books on my shelf for years that I've been meaning to read - those are "Ready Player One" and "The Shack", but now I've seen both movies, so I don't have to read the books.

Some films were adapted from plays, not books - these include "Fences", "Proof", "Annie Get Your Gun", "Show Boat", "Kiss Me Kate", "Mamma Mia!", and "Carnage".  "Hedwig and the Angry Inch" was written as a movie, but then it became a stage musical later on.  But then, so did "King Kong".

6) Speaking of books, I watched a fair number of films about famous authors, too, like "Hemingway & Gellhorn", "Miss Potter", "Rebel in the Rye" (about J.D. Salinger) and "On the Road" (which was somehow not just written by Jack Kerouac, it was also about him, only his character in the book has a different name, Sal Paradise, and honestly, I just found that to be incredibly confusing.)

7) But while I'm talking about being "On the Road", let's talk about road trips - because in addition to all those trips back and forth Sal made between California, Denver and North Carolina, Movie Year 2018 started out with a road trip in "Pee-Wee's Big Holiday", as he left his home-town for the very first time (umm, just forget that time he went to the Alamo in "Pee-Wee's Big Adventure, OK?) Then in January, a bunch of Soviet POW's walked all the way across Asia in "The Way Back" - which I say counts as a road trip.  Amy Adams found herself falling for an Irish man in "Leap Year" as they attempted to cross the Irish countryside, while everything kept going wrong. Same goes for the bunch of Americans traveling to Greece in "My Life in Ruins" and Richard Burton with a bus-load of Baptist women touring Mexico in "The Night of the Iguana".  Burton and Liz Taylor also got stuck at Heathrow airport in "The V.I.P.s", and a train got stuck in the snow in "Murder on the Orient Express".  Another ill-advised trip was seen in "Silence", where two 17th century Jesuit priests traveled to Japan to find their mentor, and it didn't end well.

A man went on a road-trip to Kansas with his father to get some film developed in "Kodachrome", another man went traveling on a tractor to see his sick brother in "The Straight Story", and a Japanese boy went to the island of garbage to try to get his dog back in "Isle of Dogs".  Paul Rudd played a lost man who found a new purpose caring for a teen with muscular dystrophy by taking him on a road-trip to see America's weirdest roadside attractions.  Then later in the year, Steve Coogan and Rob Brydon played two guys named Steve and Rob who went on "The Trip to Italy" and "The Trip to Spain".  Any time those guys want to travel around and eat at fine restaurants, I'm happy to watch them do that. And then finally, in "Queen of the Desert", Nicole Kidman played Gertrude Bell, who traveled through all of Arabia, Syria, and Mesopotamia making maps and meeting sheiks, which apparently was very important in the early 1900's.  (My wife and I went on a road trip, too - in October we flew to Dallas and drove to Austin, San Antonio, Houston and New Orleans on a BBQ Crawl.)

8) But let's stick with the Middle East for a minute - it's a common enough theme these days, since the wars in Iraq and Afghanistan are technically still going on, even through three presidents have declared them to be various stages of "over".  In films this year, I saw war, terrorism or fear of the Middle East depicted in these films: "Rendition", "Rock the Kasbah", "War Machine" and "Brothers".

Other war films included "Hacksaw Ridge" (WWII), "Allied" (WWII), "Heartbreak Ridge" (invasion of Grenada), "The Beguiled" (Civil War) and "The Birth of a Nation" (1831 slave rebellion)

9) Which leads me to films about spies & hit-men.  The latter were seen in "Mr. Right" and "The Hitman's Bodyguard", both of which showed that it's hard to be a hit-man and have a personal life, too.  This was also the case in "Allied", where two spies fell in love during a mission in World War II,  and Brad Pitt ended up falling out of his marriage to Angelina Jolie.  The CIA had trouble in North Africa in "Rendition", an MI6 agent had trouble in Berlin in 1989 in "Atomic Blonde", and terrorists tried to shoot down the President's plane in "Big Game".  The more fantastic/ridiculous side of secret agents was depicted in both "Kingsman: The Golden Circle" and "XXX: Return of Xander Cage", but other spy films were based on real incidents, like the Robert Hanssen incident in "Breach" and the Valerie Plame affair in "Fair Game".

10) If you recall the Valerie Plame affair, it involved VP Dick Cheney "accidentally" revealing the name of a CIA agent in the media, forgetting that secret agents are supposed to be secret.  Whoopsie. Other government wrong-doing was on display in "The Post", which was about the Pentagon Papers, a long set of documents about how the U.S. botched the Vietnam War, and "Kill the Messenger", where another reporter exposed the CIA's involvement in cocaine trafficking and funding the Contras in the 1980's.  This topic was seen again in "American Made", but from the POV of Barry Seal, a former TWA pilot who flew missions for the CIA, smuggling guns and drugs.  And if you believe the film "Moonwalkers", then the CIA also had a hand in faking the moon landing.  Your call on that one.
I also saw large bad government actions in both the past ("The Birth of a Nation") and the future ("Fahrenheit 451") and even in Japan ("Isle of Dogs").  Meanwhile, on the local level, there was police wrong-doing in "Shaft", "Fruitvale Station" and "Three Billboards Outside Ebbing, Missouri".

11) But while I'm taking on the government, you just can't talk about it these days without thinking about deceptions and scams - already I've seen numerous reviews of 2018 that are calling it the Year of the Lie, with the President as possibly the biggest liar of all time (way too many falsehoods in his speeches and tweets to even START to list here...) so in that vein, I'm going to recap all the lies, deceptions and scams I saw in films this year.  Let's start with the heists and property crimes - the bank robberies in "Going in Style" and "Hell or High Water", the insurance scam in "The Postman Always Rings Twice", the ponzi scheme in "The Polka King" and the fraudulent business development grant in "T2 Trainspotting".  There were sketchy arms deals in "War Dogs", a sketchy gold-prospecting scheme in "Gold", and a very sketchy violin auction/switcheroo in "The Red Violin".  Then the largest embezzlement bank fraud ever in Canada was seen in "Owning Mahowny", which was immediately followed by Philip Seymour Hoffman going out of his way to cover up his stepson's death in "God's Pocket".

Little lies grew into big problems in films like "Atonement", with its false rape claim, and "The Human Stain", where a man kept his race secret to get ahead.  Another man played fast and loose with the rules of documentary filmmaking to get ahead in "While We're Young", and a teen cheated to get ahead in the Mr. Julius Caesar competition in "The Emperor's Club".  A woman was led to believe that she was a great singer in "Florence Foster Jenkins" (only she wasn't) and another woman with memory problems was lied to in "Before I Go to Sleep".  And a man got so jealous of his friend's success that he accidentally killed his horse, then couldn't find a way to tell him, in "Envy".

But wait, there's more - a whole family of performance artists/scam artists got back together in "The Family Fang", a man told a bunch of lies about his former classmate in "The Gift" in order to destroy his marriage, and a young woman seduced a photographer to get back at him for his previous sexual misconduct in "Hard Candy".  Not enough to prove this was the Year of the Lie?  What about "The Greatest Showman", the film about P.T. Barnum, one of the biggest liars of all time?  Or what about "Collateral Beauty", where a man's friends hire actors to play the abstract concepts of Time, Death and Love in order to break him out of his funk?  What about Joaquin Phoenix's alleged attempt to quit acting and start a rap career, as seen in "I'm Still Here"?  People now say that whole movie was a faked documentary, but I think the jury's still out - that could just be an excuse to cover up a really, really misguided career move.  Or if it was all fake, then I was made to watch a fake documentary, which in the end is just as bad.  Either way, Joaquin Phoenix owes me two hours of my time back.

12) Bigger crimes, like assault, kidnapping and murder, were depicted in films like "Split", "Nocturnal Animals", "Murder on the Orient Express", "Dolores Claiborne", "The Girl on the Train", "Shaft", "Three Billboards", "Alpha Dog", "Like Minds", "Secret in their Eyes", "Hard Candy", "Dead Calm" and "The Shack".  And the topic of death was further explored in films like "Flatliners" and "Avengers: Infinity War" (Umm, no spoilers here but the MCU is obviously a few superheroes short now.  Don't worry, I think it's only temporary.). Then I think I have to give another nod here to the "Sherlock Holmes" movies, because most of them were about solving murders.

13) But there's no getting around it, death was everywhere this year, and it affected key holidays like Mother's Day and Father's Day.  There were dead or dying parents in "People Like Us", "A Monster Calls", "Beginners", "You Can Count on Me", "Proof", "Two Weeks", "One True Thing", "Kodachrome", "Winter Passing", "Fences", "Wish I was Here", "No Reservations" and "Happy Tears".  Meanwhile there were dead spouses in "Love Liza", "Deadpool 2", "Dolores Claiborne", "Smart People" and "Miss Potter". Children weren't exempt, because they were killed off in films like "The Disappearance of Eleanor Rigby", "Rabbit Hole", "Junebug", "God's Pocket", "Three Billboards Outside Ebbing, Missouri", "Collateral Beauty", "The Book of Henry", "Fruitvale Station", "The Shack", and "The Fundamentals of Caring".  Let's face it, it was a tough year, the body count was high no matter how you look at it.

14) But there was some good news, too, there were plenty of films where kids LIVED, and ended up being really smart and precocious.  They grew up, some of them got super-powers, they went to school and fell in love in movies like "Matilda", "Gifted", "Atonement", "Pete's Dragon", "Music of the Heart", "The Florida Project", "The Squid and the Whale", "Sing Street", "The Book of Henry", "Miss Peregrine's Home for Peculiar Children", "Big Game" and "It".  What the heck, let's throw Jesus from "The Young Messiah" into this category, too, because that's what he supposedly was, right?  A precocious kid with powers.  And the older teens went to high school and college in "Lady Bird", "The Emperor's Club", "The Edge of Seventeen", "Everybody Wants Some!!", "The Man Who Knew Infinity", and "Jumanji: Welcome to the Jungle".

15) "Jumanji" became a video-game, and video-games also inspired the films "Assassin's Creed", "Warcraft", "Ready Player One", and the on-line dare game "Nerve".  Even text message icons got turned into a movie in "The Emoji Movie" - I'm not saying that was a good idea (it wasn't) but it did happen.

16) Video games are competitive, so that leads me right to the annual Sports round-up.  This year (as always, I suppose) I watched a couple films about boxing - "Chuck" and "Bleed for This".  But I also had a look at hockey in "Goon: Last of the Enforcers", ice skating in "I, Tonya", tennis in "Wimbledon", and roller derby in "Whip It".  It's a bit of a stretch, but I can kind of include the lesser sports here, like the extreme sports seen in "XXX: Return of Xander Cage" and "Hardcore Henry", plus there was sharp-shooting in "Annie Get Your Gun", gambling in "The House" and "Owning Mahowny", competitive butter-sculpting in "Butter" and competitive mascot-work in "Mascots". OK, since I've been to the Texas state fair I can confirm that butter-sculpting is a real thing, but on that last one, I have my doubts.

17) The biggest category for me this year, though, was the rock and pop music documentaries, over 50 of them.  I started with the Beatles, which is where my personal love of rock music began, and from there I explored as many musicians as I could in a semi-logical (OK, more or less random) order, with docs about Eric Clapton, Jimi Hendrix, Chicago, Janis Joplin, the Grateful Dead, the Rolling Stones, Chuck Berry, Elvis Presley and the Doors - and that was only Phase 1.  In Phase 2 I covered Nirvana and some more of the Seattle grunge scene, then transitioned into films about Amy Winehouse and Lady Gaga, George Michael, Whitney Houston, Glen Campbell, Joe Cocker, the Eagles, Bruce Springsteen, the Talking Heads, Michael Jackson, back-up singers and Clive Davis.  Phase 3 sent me back to the 1960's with films about James Brown, the Beach Boys, the session musicians known as the Wrecking Crew, Frank Zappa, the Who, George Harrison, David Bowie, and Alice Cooper - and from there it was a sprint to the finish through the world of 1980's heavy metal, with films about Twisted Sister, Quiet Riot, Lemmy from Motorhead, Black Sabbath, Metallica and Rush.  When you step back and look at it from a distance, it seems a bit like the story was always the same: get famous, get rich, get high and get dead, though it didn't always happen in that order.  But that seems a bit too cynical, because really, the industry's to blame at the end of the day, that hype machine that made the artists keep touring and keep spitting out albums, often at the cost of their own mental or physical health.  And that wore at me, after the films about the "27 Club" and realizing that thinking about rock music is now forever entwined with the deaths of people like Hendrix and Bowie and Joe Cocker and Glenn Frey (and Terry Kath, and Amy Winehouse, and I can go on and on...). It's sad how many have been lost, though the music's not really gone, we can keep listening to it, but for how long?

As for non-musical documentaries, there were just a couple - "I'm Still Here" and "If You're Not in the Obit, Eat Breakfast".  The latter one, celebrating the accomplishments of nonagenarians like Dick Van Dyke, Carl Reiner and Mel Brooks, was just what I needed to combat the depression of watching all those rock stars die young. 

18) In addition to the rockumentaries, there were Bio-pics about musicians/entertainers - like the story of Hank Williams in "I Saw the Light", the Four Seasons in "Jersey Boys", "The Polka King" and "Music of the Heart", "Florence Foster Jenkins", and P.T. Barnum in "The Greatest Showman".
Oddly, the other films based on real people's stories all had a common thread - they tended to end the film with real footage of their subjects, like Valerie Plame in "Fair Game", Tonya Harding in "I, Tonya", Jeff Bauman in "Stronger" and Vinny Pazienza in "Bleed for This".  The credits scenes also gave us updates on the stories of the women of NASA in "Hidden Figures", the Ryan children from "The Prize Winner of Defiance, Ohio", Richard and Mildred Loving from "Loving", Desmond Doss from "Hacksaw Ridge", the arms dealers from "War Dogs" and the kidnappers from "Alpha Dog".  I want to say that this trend continued in "Kill the Messenger", "Fruitvale Station" and "American Made", but I'd need to double-check.  But I know for sure this happened in "The Disaster Artist", which put the fictional footage side-by-side with clips from Tommy Wiseau's film "The Room", so we could judge for ourselves how close the fiction came to reality.

This just leaves the two bio-pics about Henry VIII, which were "Anne of the Thousand Days" and "The Private Life of Henry VIII".

19) Of course, the romance category is always a big one for me, mostly in February, but they have a way of popping up in other months as well - The highlights this year were "Frankie and Johnny", "The Disappearance of Eleanor Rigby", "No Reservations", "Junebug", "Leap Year", "Once", "Sing Street", "Miss Potter", "Bridget Jones's Baby", "Mamma Mia!", "My Big Fat Greek Wedding 2", 'Take This Waltz", "Rust and Bone", "Mr. Right", and "Wimbledon" - for the modern-set films, anyway.

Then there were the classic romances, the ones that came to me from TCM - "Flying Down to Rio", "Silk Stockings", "Easter Parade", "Royal Wedding", "Annie Get Your Gun", "Show Boat", "Kiss Me Kate", "Kismet" and "Seven Brides for Seven Brothers", "The Comedians" and "The Sandpiper". Basically, this was my clean-up work on Fred Astaire and Burton/Taylor, combined with a tribute to Howard Keel.

And a special sub-category this year, romances with large age differences, as seen in "Smart People", "The Comedian", "A Good Year" and "Daddy Longlegs".  Basically, anything with Fred Astaire tends to exhibit this sort of storyline. 

The flip-side of romance was explored in films like "Le Divorce", "The Squid and the Whale" and "Saving Silverman", which were more about splitting up then getting together.

20) Women were more prominent than ever, which is a good thing - like Mrs. Incredible took center stage fighting crime in "Incredibles 2", and there was a strong female villain in "The Mummy" (the most recent one), and of course they tend to dominate certain romance films, like "Leap Year", "Bridget Jones's Baby" or "Miss Potter".  But hey, what about "Hard Candy", which was made well before the #metoo movement, but is as strong a statement against sexual harassment as you're likely to find.  What about "Jane Got a Gun" or "Allied" or "Three Billboards Outside Ebbing, Missouri"?  "Superstar"?  "I, Tonya"?  "Lady Bird"?  Maybe I'm stretching things a bit here. OK, "Hidden Figures", plus the Wasp now shares billing in the title with Ant-Man.  Progress is being made.

And a shout-out to these films for having prominent gay, bi-sexual or transgender characters: "Far From Heaven", "Albert Nobbs", "The Overnight", "Beginners", "Mamma Mia!", "The Stepford Wives", "Rough Night" and "Hedwig and the Angry Inch".  

21) This might seem like an awkward segue to a very strange category, but I couldn't help but notice a recurring theme that involved loss of limbs/body modifications - a woman lost her legs in an accident in "Rust and Bone", and Jeff Bauman lost his legs at the Boston Marathon bombing in "Stronger", and of course in "Deadpool 2" the main character was always losing a hand or a leg here and there, but for him they always grew back.  In two very different films, things got very small for different reasons - superheroes shrunk to fight crime in "Ant-Man & The Wasp" and in "Downsizing", people got smaller because it made some kind of economic and resource-based sense. Then things got even weirder in "Get Out" and "The Stepford Wives" when people started using hypnotism and implants to control other people.  And in both "Hardcore Henry" and "Ghost in the Shell", people's brains were transplanted into new cybernetic bodies so they could fight criminals and defeat evil with the power of parkour.  But weirdest of all were the body modifications seen in "The Lobster", where people were turned into animals if they couldn't find their mates, and then a selfish DJ was forced to undergo operations that made him go full-walrus in "Tusk".  Yeah, some things you just can't un-see.

22) What does that leave me with? Ah, the violent Westerns: "Jane Got a Gun", "Appaloosa", "Hostiles", "The Outlaw Josey Wales"

23) And the Random dramas - like North Country" and "Roman J. Israel, Esq." Well those were both legal dramas, as was "Loving", there's a rough theme there.  Then there was "Time Out of Mind", and "Wilson", I guess those are sort of films about people being difficult and disconnecting from society, which was also seen in "The Comedian".  Truthfully I'm getting tired of making these connections, I'l like to start wrapping this up.

23) Random Sci-Fi/Fantasy (non-superhero) - "Life", "Solo: A Star Wars Story", "Fantastic Beasts", "Ready Player One", "Fahrenheit 451", "War for the Planet of the Apes"? "Mute", "Ghost in the Shell" - but I already covered most of these in the categories above.

24) Random comedies, the ones that don't really fit anywhere else, or even share anything in common - "Table 19", "Superstar", "Casa de mi Padre".

25) Action/Survival films - "The Finest Hours", "The Grey", "Silence", "Hardcore Henry", "Big Game" and such...

26) Films about Religion?  "Hacksaw Ridge", "Silence", "The Shack", and "The Young Messiah"

27) Ah, my annual rant against excessive non-linear time-jumping - this was on display in "Beginners", "Atomic Blonde", "Hedwig and the Angry Inch" (split timelines, really), "Rendition" (also two timelines), "Secret in Their Eyes" (also two timelines), "Mr. Holmes" (with THREE timelines to follow), "The Girl on the Train" (also three timelines), "Atonement" (which jumped from a scene labeled "Four Years Later" to another one labeled "Six Months Earlier" - earlier than what?  Earlier than the place we started, or three and a half years after that?  Then at the end, we're shown scenes that didn't even happen...) but the award for the most time-jumping probably should go to "The Red Violin", which juggled FIVE different timelines, "Cloud Atlas"-style, though at least four of them played out in chronological order. 

Films that managed to get away with jumping around were "Deadpoool 2" (time travel worked well there, through use of Cable's time machine), "Alice Through the Looking Glass" (again, time travel, but at least driven by the plot), and "Miss Peregrine's Home for Peculiar Children" (where the time travel didn't work right, it would have created a paradox) and I'll allow the time-travel in "Avengers: Infinity War" because I think it was super-important, and motivated by the time gem.

And the following films stand accused of excessive flashbackery: "Like Minds", "Split", "The Disappearance of Eleanor Rigby: Her", "Jane Got a Gun", "Dolores Claiborne", "Proof", "The Human Stain", "The Legend of Tarzan", "The Dinner", "Fruitvale Station" (which has a flashback-within-a-flashback), "Ghost Story" and "Nocturnal Animals" (which had a split timeline and flashbacks that weren't even real, since they were in a novel, but somehow were treated as if they really happened, for some reason...).

I'm going to allow the flashbacks in films like "Ant-Man and the Wasp", "Kingsman: The Golden Circle" and "The Family Fang", because they were dropped in to reveal key points of the back-story at the right time, which is the way they SHOULD be used. 

28) On a similar note, here were the very confusing films - the ones that left me wondering what they were all about - "Youth", "Nocturnal Animals", "I Heart Huckabees", "Smart People", "Pirates of the Caribbean: Dead Men Tell No Tales", "Tusk" and "Yoga Hosers", "The Florida Project", "On the Road"  Then there were the movies that seemed to be metaphors for SOMETHING, only I'm not exactly sure what, like "Downsizing", "The Shack", "Tusk", "The Lobster", "Holes", "Butter", "Mute", "Happy Tears".

29) (Almost) finally, I sort of discovered the films of Noah Baumbach this year, by watching "The Squid and the Whale", "While We're Young", and "The Meyerowitz Stories (New and Selected)". I've got my eyes peeled for more work from him, with two more on my watchlist now - "Frances Ha" and "Kicking and Screaming".  So I'll re-visit this topic in February.

The whole year came (almost) to an end with two films about EPIC parties, "Office Christmas Party" and "Rough Night".  Come to think of it, there was usually two of everything this year - there were two movies about rich people meeting to discuss their children's wrong actions ("Carnage" and "The Dinner"), two films about illegal U.S. government activity in the drug trade in the 1980's, ("American Made" and "Kill the Messenger"), and two documentaries about the Grateful Dead, when quite honestly, one probably would have been enough.  And let's not forget this was the year where one guy got turned into a walrus, while another one wanted to get turned into a lobster.  That alone should give you an idea how weird this year was. 

I saw 9 of this year's 300 films in theaters this year, which for me is right about where I wanted to be. The vast majority of the films still came from premium cable, or I had dubbed them from cable to DVD.  Factoring in all of the rock docs, I figure that I watched 52 films on Netflix this year, and another 17 films on iTunes, which was my next destination if I found that a film had vanished from Netflix. And I watched another 14 films on Academy screeners, because I either needed them right away for linking purposes, or they were taking too long to appear on cable, or both.  And then ONE film was on YouTube for free, which was the documentary "Lemmy" - considering I didn't know anything about Motorhead or care for their music, the price was about right.  So streaming is up this year over last, but I'm not prepared to cut the cable cord just yet.  My system now has a lot of different ways to watch the same film, and considering that I can no longer dub from some premium channels to DVD, and the fact that my DVR has limited space, and also that movies tend to disappear from Netflix with no notice, I feel that I need all of these methods available to me right now, though if someone creates a streaming service that has every movie, all the time, for sure, that could change.

Now, before I get to the annual tally of who appeared in this year's films the most times, a brief word of explanation - I watched so many documentaries on rock and pop this year, the rules are a little bit different.  My definition of what constitutes an "appearance" differs slightly from the one that the IMDB uses.  Obviously anyone who's a major player in rock and roll had the inside track this year, so as you might expect, influential people in that world, like members of the Beatles and the Rolling Stones, dominate the top of my charts.

With an actor or actress, it's easier to count their appearances, but for a famous music star, they're just as likely to appear on the SOUNDTRACK of a movie than on camera in a scene - and the IMDB counts, say, an Elton John song in a film as an "appearance", but I don't.  So I have to subtract those.  And if Elton John appears on camera being interviewed, that's for sure an "appearance".  But what if he appears in a crowd scene, or archive footage from an awards show, or stock footage from Live Aid?  Sometimes the IMDB counts that, and sometimes not.  And in many cases I've had to update the IMDB listing just to get an accurate count for myself, which meant taking lots of notes while watching each film.  And then once I had my list of documentary appearances, I had to cross-reference that with the cast lists of my fiction films - because Elton John made a notable cameo in a very big spy movie, but no spoilers here.  (McCartney also made a cameo in a big Disney film, that counts too.)

There are a large number of actors on the list, too - but some really big names from the past are just not being represented any more - partially this is because I've already worked my way through the filmographies of top box-office draws like Robert De Niro, Jack Nicholson and Julia Roberts - so there just aren't as many films with them for me to watch any more.  De Niro was in one film this year, "The Comedian", Nicholson was in two, but that's not enough to make the cut-off, which is THREE appearances. Dozens of actors had two appearances this year, even under-the-radar ones like Jaeden Lieberher and Hiroyuki Sanada - but I can't exactly go looking for another film with someone in it, just so they'll make the list, that would be madness.

Other people who easily made it on to the list include actors from the Sherlock Holmes movies (well, there were 14 of those, and they kept using the same actors again and again in different roles...) and also U.S. presidents who appeared in archive footage (in both rock documentaries and dramas set in the 1970's and 80's).  Also, people who were tangential to the music industry, like talk-show hosts and music industry executives that were interviewed several times.  Even the Beatles's spiritual guru made the list, which also features a good number of "character actors", always more likely to appear than top stars, for some reason.  I mean, when you think about how many Tom Cruise movies can be released in one year, there's definitely a limit, but with someone like Michael Shannon, all bets are off.

The winner, with 19 appearances is Sir Paul McCartney, who appeared in "The Beatles: Eight Days a Week - The Touring Years", "How the Beatles Changed the World", "It Was Fifty Years Ago Today! The Beatles: Sgt. Pepper & Beyond", "Eric Clapton: Life in 12 Bars", "The Other One: The Long, Strange Trip of Bob Weir", "Elvis Presley: The Searcher", "27: Gone Too Soon", "George Michael: Freedom", "Glen Campbell: I'll Be Me", "Joe Cocker: Mad Dog with Soul", "History of the Eagles", "Clive Davis: The Soundtrack of Our Lives", "20 Feet from Stardom", "Michael Jackson's Journey from Motown to Off the Wall", "Concert for George", "Super Duper Alice Cooper", "Quiet Riot: Well Now You're Here, There's No Way Back", "God Bless Ozzy Osbourne", "Pirates of the Caribbean: Dead Men Tell No Tales"

Tied for second, with 14 appearances:
Nigel Bruce - 14 "Sherlock Holmes" films
Mick Jagger - "How the Beatles Changed the World", "It Was Fifty Years Ago Today! The Beatles: Sgt. Pepper & Beyond", "Eric Clapton: Life in 12 Bars", "Jimi Hendrix", "Long Strange Trip", "Crossfire Hurricane", "The Rolling Stones Olé, Olé, Olé!: A Trip Across Latin America", "The Rolling Stones Havana Moon", "Keith Richards: Under the Influence", "27: Gone Too Soon", "20 Feet from Stardom", "Mr. Dynamite: The Rise of James Brown", "Bowie: The Man Who Changed the World", "Rush: Time Stand Still"
John Lennon - "The Beatles: Eight Days a Week - The Touring Years", "How the Beatles Changed the World", "It Was Fifty Years Ago Today! The Beatles: Sgt. Pepper & Beyond", "Eric Clapton: Life in 12 Bars", "Janis: Little Girl Blue", "Chuck Berry Hail! Hail! Rock 'n' Roll", "Elvis Presley: The Searcher", "27: Gone Too Soon", "George Michael: Freedom", "History of the Eagles", "20 Feet from Stardom", "Bowie: The Man Who Changed the World", "Super Duper Alice Cooper", "Quiet Riot: Well Now You're Here, There's No Way Back"
Basil Rathbone - 14 "Sherlock Holmes" films
Ringo Starr - "The Beatles: Eight Days a Week - The Touring Years", "How the Beatles Changed the World", "It Was Fifty Years Ago Today! The Beatles: Sgt. Pepper & Beyond", "Eric Clapton: Life in 12 Bars", "27: Gone Too Soon", "History of the Eagles", "20 Feet from Stardom", "Eat That Question: Frank Zappa in His Own Words", "The Kids Are Alright", "Concert for George", "Ziggy Stardust and the Spiders from Mars, "Bowie: The Man Who Changed the World", "Super Duper Alice Cooper", "Quiet Riot: Well Now You're Here, There's No Way Back"

With 13 appearances:
Keith Richards - "Eric Clapton: Life in 12 Bars", "Long Strange Trip", "Crossfire Hurricane", "The Rolling Stones Olé, Olé, Olé!: A Trip Across Latin America", "The Rolling Stones Havana Moon", "Keith Richards: Under the Influence", "Chuck Berry Hail! Hail! Rock 'n' Roll", "27: Gone Too Soon", "History of the Eagles", "20 Feet from Stardom", "Mr. Dynamite: The Rise of James Brown", "The Kids Are Alright", "Rush: Time Stand Still"

With 11 appearances:
George Harrison - "The Beatles: Eight Days a Week - The Touring Years", "How the Beatles Changed the World", "It Was Fifty Years Ago Today! The Beatles: Sgt. Pepper & Beyond", "Eric Clapton: Life in 12 Bars", "Elvis Presley: The Searcher", "27: Gone Too Soon", "Joe Cocker: Mad Dog with Soul", "History of the Eagles", "20 Feet from Stardom", "Concert for George", "Super Duper Alice Cooper", 
Samuel L. Jackson - "The Legend of Tarzan", "xXx: Return of Xander Cage", "Shaft", "Miss Peregrine's Home for Peculiar Children", "Avengers: Infinity War", "The Red Violin", "Big Game", "The Hitman's Bodyguard", "Kingsman: The Golden Circle", "Incredibles 2", "Kong: Skull Island"
Nicole Kidman - "Rabbit Hole", "The Human Stain", "The Beguiled", "Hemingway & Gellhorn", "Secret in Their Eyes", "The Others", "Before I Go to Sleep", "Dead Calm", "Queen of the Desert", "The Stepford Wives", "The Family Fang"


With 10 appearances:
Mary Gordon - 10 Sherlock Holmes movies
Jimi Hendrix - "It Was Fifty Years Ago Today! The Beatles: Sgt. Pepper & Beyond", "Eric Clapton: Life in 12 Bars", "Jimi Hendrix", "Jimi Hendrix: Voodoo Child", "Now More than Ever: The History of Chicago", "Janis: Little Girl Blue", "The Doors: When You're Strange", "27: Gone Too Soon", "Clive Davis: The Soundtrack of Our Lives", "Super Duper Alice Cooper"
Brian Jones - "How the Beatles Changed the World", "It Was Fifty Years Ago Today! The Beatles: Sgt. Pepper & Beyond", "Eric Clapton: Life in 12 Bars", "Jimi Hendrix: Voodoo Child", "Crossfire Hurricane", "Keith Richards: Under the Influence", "27: Gone Too Soon", "Clive Davis: The Soundtrack of Our Lives", "Mr. Dynamite: The Rise of James Brown", "Rush: Time Stand Still"
Charlie Watts - "Eric Clapton: Life in 12 Bars", "Long Strange Trip", "Crossfire Hurricane", "The Rolling Stones Olé, Olé, Olé!: A Trip Across Latin America", "The Rolling Stones Havana Moon", "Keith Richards: Under the Influence", "27: Gone Too Soon", "20 Feet from Stardom", "Mr. Dynamite: The Rise of James Brown", "Rush: Time Stand Still"

With 8 appearances:
Harry Cording - 8 Sherlock Holmes movies
Elton John - "Gaga: Five Foot Two", "George Michael: Freedom", "History of the Eagles", "Clive Davis: The Soundtrack of Our Lives", "20 Feet from Stardom, "Bowie: The Man Who Changed the World", "Super Duper Alice Cooper", "Kingsman: The Golden Circle"
James McAvoy - "Split", 3 "The Disappearance of Eleanor Rigby" films, "Atonement", "Wimbledon", "Deadpool 2", "Atomic Blonde"

With 7 appearances:
Fred Astaire - "Daddy Long Legs", "Flying Down to Rio", "Silk Stockings", "Easter Parade", "Royal Wedding", "Michael Jackson's Journey from Motown to Off the Wall", "Ghost Story"
David Bowie - "27: Gone Too Soon", "George Michael: Freedom", "20 Feet from Stardom", "Ziggy Stardust and the Spiders from Mars", "David Bowie: The Last Five Years", "Bowie: The Man Who Changed the World", "We Are Twisted Fucking Sister"
Johnny Depp - "Alice Through the Looking Glass", "Fantastic Beasts and Where to Find Them", "Pirates of the Caribbean: Dead Men Tell No Tales", "Murder on the Orient Express", "Tusk", "Yoga Hosers", "The Doors: When You're Strange"
Dave Grohl - "27: Gone Too Soon", "Hype!", "Amy", "Clive Davis: The Soundtrack of Our Lives", "Quiet Riot: Well Now You're Here, There's No Way Back", "Lemmy", "Rush: Time Stand Still"
Woody Harrelson - "Three Billboards Outside Ebbing, Missouri", "Solo: A Star Wars Story", "War for the Planet of the Apes", "North Country", "Wilson", "The Prize Winner of Defiance, Ohio", "The Edge of Seventeen"
Leyland Hodgson - 7 Sherlock Holmes movies
Keith Moon - "It Was Fifty Years Ago Today! The Beatles: Sgt. Pepper & Beyond", "Janis: Little Girl Blue", "History of the Eagles", "Eat That Question: Frank Zappa in His Own Words", "The Kids Are Alright", "Super Duper Alice Cooper", "Rush: Time Stand Still"
Richard Nixon - "Kill the Messenger", "How the Beatles Changed the World", "Elvis Presley: The Searcher", "The Doors: When You're Strange", "History of the Eagles", "Mr. Dynamite: The Rise of James Brown", "Super Duper Alice Cooper"
Little Richard - "Jimi Hendrix", "Jimi Hendrix: Voodoo Child", "Keith Richards: Under the Influence", "Chuck Berry Hail! Hail! Rock 'n' Roll", "Elvis Presley: The Searcher", "Michael Jackson's Journey from Motown to Off the Wall", "Mr. Dynamite: The Rise of James Brown"

With 6 appearances:
Tony Bennett - "Eric Clapton: Life in 12 Bars", "Amy", "Gaga: Five Foot Two", "If You're Not in the Obit, Eat Breakfast", "George Michael: Freedom", "Clive Davis: The Soundtrack of Our Lives"
Chuck Berry - "Eric Clapton: Life in 12 Bars", "The Other One: The Long, Strange Trip of Bob Weir", "Keith Richards: Under the Influence", "Chuck Berry Hail! Hail! Rock 'n' Roll", "Elvis Presley: The Searcher", "Michael Jackson's Journey from Motown to Off the Wall"
Jack Black - "Rush: Beyond the Lighted Stage", "Envy", "Goosebumps", "Jumanji: Welcome to the Jungle", "Saving Silverman", "The Polka King"
Jake Gyllenhaal - "Nocturnal Animals", "Rendition", "Life", "Brothers", "Stronger", "Proof"
Holmes Herbert - 6 Sherlock Holmes movies
Dennis Hoey - 6 Sherlock Holmes movies
Olaf Hytten - 6 Sherlock Holmes movies
Michael Jackson - "How the Beatles Changed the World", "20 Feet from Stardom", "Michael Jackson's Journey from Motown to Off the Wall" "This Is It", "Mr. Dynamite: The Rise of James Brown", "Quiet Riot: Well Now You're Here, There's No Way Back"
Janis Joplin - "Now More than Ever: The History of Chicago", "Janis: Little Girl Blue", "The Doors: When You're Strange", "27: Gone Too Soon", "Clive Davis: The Soundtrack of Our Lives", "Super Duper Alice Cooper"
Toby Kebbell - "Warcraft: The Beginning", "A Monster Calls", "Ben-Hur", "War for the Planet of the Apes", "Gold", "Kong: Skull Island"
Martin Luther King Jr. - "Hidden Figures", "How the Beatles Changed the World", "Elvis Presley: The Searcher", "The Doors: When You're Strange", "History of the Eagles", "Mr. Dynamite: The Rise of James Brown"
Christopher Lee - "The Mummy", "Horror of Dracula", "Dracula: Prince of Darkness", "Dracula Has Risen From the Grave", "Taste the Blood of Dracula", "Dracula A.D. 1972"
Laura Linney - "Nocturnal Animals", "Mr. Holmes", "Breach", "The Squid and the Whale", "You Can Count on Me", "The Dinner"
Meryl Streep - "Mamma Mia!", "Music of the Heart", "Rendition", "Florence Foster Jenkins", "One True Thing", "The Post"
Naomi Watts - "I Heart Huckabees", "Le Divorce", "Chuck", "The Book of Henry", "While We're Young", "Fair Game"
Ronnie Wood - "Crossfire Hurricane", "The Rolling Stones Olé, Olé, Olé!: A Trip Across Latin America", "The Rolling Stones Havana Moon", "Keith Richards: Under the Influence", "20 Feet from Stardom", "Rush: Time Stand Still"
Frederick Worlock - 6 Sherlock Holmes movies

With 5 appearances:
Betsy Aidem - "Far From Heaven", "You Can Count on Me", "Music of the Heart", "The Greatest Showman", "Winter Passing"
Wilson Benge - "Royal Wedding", 4 Sherlock Holmes movies
Richard Burton - "The Comedians", "The Sandpiper", "The Night of the Iguana", "The V.I.P.s", "Anne of the Thousand Days"
Dick Cavett - "Jimi Hendrix", "Jimi Hendrix: Voodoo Child", "Now More than Ever: The History of Chicago", "Janis: Little Girl Blue", "Crossfire Hurricane"
Peter Cushing - "The Mummy", "Horror of Dracula", "The Brides of Dracula", "Dracula: Prince of Darkness", "Dracula A.D. 1972"
Clive Davis - "Now More than Ever: The History of Chicago", "Janis: Little Girl Blue", "George Michael: Freedom", "Whitney: Can I Be Me", "Clive Davis: The Soundtrack of Our Lives"
Viola Davis - 3 "Disappearance of Eleanor Rigby" movies, "Far from Heaven", "Fences"
Bob Dylan - "How the Beatles Changed the World", "Eric Clapton: Life in 12 Bars", "Jimi Hendrix: Voodoo Child", "Elvis Presley: The Searcher", "Clive Davis: The Soundtrack of Our Lives"
Colin Farrell - "The Way Back", "Fantastic Beasts and Where to Find Them", "Roman J. Israel, Esq.", "The Lobster", "The Beguiled"
Ben Foster - "Hell or High Water", "The Finest Hours", "Warcraft: The Beginning", "Alpha Dog", "Hostiles"
Gerald Hamer - 5 Sherlock Holmes movies
Ed Harris - "Appaloosa", "The Way Back", "The Human Stain", "Kodachrome", "Winter Passing"
Richard Jenkins - "I Heart Huckabees", "God's Pocket", "North Country", "Kong: Skull Island", 'The Shape of Water"
Caleb Landry Jones - "Get Out", "God's Pocket", "The Florida Project", "Three Billboards Outside Ebbing, Missouri", "American Made"
Howard Keel - "Annie Get Your Gun", "Show Boat", "Kiss Me Kate", "Kismet", "Seven Brides for Seven Brothers"
Chuck Leavell - "The Rolling Stones Olé, Olé, Olé!: A Trip Across Latin America", "The Rolling Stones Havana Moon", "Crossfire Hurricane", "Keith Richards: Under the Influence", "Chuck Berry Hail! Hail! Rock 'n' Roll"
Stan Lee - "Yoga Hosers", "Black Panther", "Avengers: Infinity War", "If You're Not in the Obit, Eat Breakfast", "Ant-Man and the Wasp"
Ewan McGregor - "Miss Potter", "Beginners", "Beauty and the Beast", "T2 Trainspotting", "Jane Got a Gun"
T.J. Miller - "The Emoji Movie", "Ready Player One", "Deadpool 2", "Goon: Last of the Enforcers", "Office Christmas Party"
Sandra Oh - "Rabbit Hole", "Owning Mahowny", "Hard Candy", "Mulan 2", "The Red Violin"
Yoko Ono - "How the Beatles Changed the World", "It Was Fifty Years Ago Today! The Beatles: Sgt. Pepper & Beyond", "Janis: Little Girl Blue", "Bowie: The Man Who Changed the World", "Isle of Dogs"
Ozzy Osbourne - "Quiet Riot: Well Now You're Here, There's No Way Back", "Lemmy", "The Decline of Western Civilization Part II: The Metal Years", "Black Sabbath: The End of the End",
"God Bless Ozzy Osbourne"
Michael Ripper - "The Mummy", "The Curse of the Werewolf", "The Brides of Dracula", "Dracula Has Risen from the Grave", "Taste the Blood of Dracula"
Dee Snider - "History of the Eagles", "Super Duper Alice Cooper", "We Are Twisted Fucking Sister", "Quiet Riot: Well Now You're Here, There's No Way Back", "Lemmy"
Octavia Spencer - "Hidden Figures", "Fruitvale Station", "The Shack", "Gifted", "The Shape of Water"
Bruce Springsteen - "Chuck Berry Hail! Hail! Rock 'n' Roll", "Glen Campbell: I'll Be Me", "Clive Davis: The Soundtrack of Our Lives", "Springsteen & I", "20 Feet from Stardom"
Pete Townshend - "Jimi Hendrix", "Janis: Little Girl Blue", "History of the Eagles", "The Kids Are Alright", "Rush: Time Stand Still"
Ian Wolfe - "Seven Brides for Seven Brothers", 4 Sherlock Holmes movies
Bill Wyman - "Crossfire Hurricane", "Keith Richards: Under the Influence", "27: Gone Too Soon", "Mr. Dynamite: The Rise of James Brown", "Rush: Time Stand Still"
Renee Zellweger - "Appaloosa", "Miss Potter", "Bridget Jones's Baby", "The Bachelor", "One True Thing"

With 4 appearances:
Amy Adams - "Nocturnal Animals", "Junebug", "Leap Year", "On the Road"
Nina Arianda - 3 "Disappearance of Eleanor Rigby" movies, "Florence Foster Jenkins"
Hal Blaine - "Elvis Presley: The Searcher", "Glen Campbell: I'll Be Me", "The Beach Boys: Making Pet Sounds", "The Wrecking Crew!"
Sofia Boutella - "Atomic Blonde", "Fahrenheit 451", "Kingsman: The Golden Circle", "The Mummy"
Lucy Boynton - "Sing Street", "Miss Potter", "Murder on the Orient Express", "Rebel in the Rye"
Bobby Cannavale - "I, Tonya", "The Fundamentals of Caring", "Ant-Man and the Wasp", "Jumanji: Welcome to the Jungle"
Jessica Chastain - 3 "Disappearance of Eleanor Rigby" films, "Crimson Peak"
Michael Chernus - "Winter Passing", "The Dinner", "The Meyerowitz Stories (New and Selected)", "The Family Fang"
Joe Chrest - "Butter", "I Saw the Light", "On the Road", "Gifted"
Eric Clapton - "Eric Clapton: Life in 12 Bars", "Jimi Hendrix", "Chuck Berry Hail! Hail! Rock 'n' Roll", "Concert for George"
Glenn Close - "Warcraft: The Beginning", "Albert Nobbs", "Le Divorce", "The Stepford Wives"
Steve Coogan - "I'm Still Here", "The Trip to Italy", "The Trip to Spain", "The Dinner"
Marion Cotillard - "Assassin's Creed", "Allied", "Rust and Bone", "A Good Year"
Roger Daltrey - "Janis: Little Girl Blue", "History of the Eagles", "The Kids Are Alright", "Rush: Time Stand Still"
Cyril Delevanti - "The Night of the Iguana", "The House of Fear", "Dressed to Kill", "Son of Dracula"
Kirsten Dunst - "Wimbledon", "The Beguiled", "On the Road", "Hidden Figures"
Joel Edgerton - "The Gift", "Loving", "Jane Got a Gun", "Bright"
Rebecca Ferguson - "Florence Foster Jenkins", "The Girl on the Train", "The Greatest Showman", "Life"
Will Ferrell - "Winter Passing", "Superstar", "Casa de mi Padre", "The House"
Colin Firth - "Bridget Jones's Baby", "Mamma Mia!", "Kingsman: The Golden Circle", "Before I Go to Sleep"
David Foster - "Now More than Ever: The History of Chicago", "Whitney: Can I Be Me", "Clive Davis: The Soundtrack of Our Lives", "Michael Jackson's Journey from Motown to Off the Wall"
Aretha Franklin - "Eric Clapton: Life in 12 Bars", "Elvis Presley: The Searcher", "George Michael: Freedom", "Clive Davis: The Soundtrack of Our Lives"
Jerry Garcia - "Janis: Little Girl Blue", "The Other One: The Long, Strange Trip of Bob Weir", "Long Strange Trip", "Clive Davis: The Soundtrack of Our Lives"
Bruce Greenwood - "The Post", "Kodachrome", "Gold", "Kingsman: The Golden Circle"
Merv Griffin - "Now More than Ever: The History of Chicago" "Whitney: Can I Be Me", "Clive Davis: The Soundtrack of Our Lives", "Super Duper Alice Cooper"
Brad William Henke - "Pee-Wee's Big Holiday", "Split", "Bright", "North Country"
Tom Hiddleston - "I Saw the Light", "Avengers: Infinity War", "Kong: Skull Island", "Crimson Peak"
Ciaran Hinds - "Silence", 2 "Disappearance of Eleanor Rigby" films, "Bleed for This"
Cissy Houston - "Elvis Presley: The Searcher", "Whitney: Can I Be Me", "Clive Davis: The Soundtrack of Our Lives", "20 Feet from Stardom"
Isabelle Huppert - 3 "Disappearance of Eleanor Rigby" movies, "I Heart Huckabees"
William Hurt - "The Disappearance of Eleanor Rigby: Her", "The Disappearance of Eleanor Rigby: Them", "One True Thing", "Avengers: Infinity War"
Scarlett Johansson - "Avengers: Infinity War", "Isle of Dogs", "Rough Night", "Ghost in the Shell"
Robert Kennedy - "How the Beatles Changed the World", "Elvis Presley: The Searcher", "The Doors: When You're Strange", "History of the Eagles"
Bobby Keys - "Eric Clapton: Life in 12 Bars", "Keith Richards: Under the Influence", "Chuck Berry Hail! Hail! Rock 'n' Roll", "Joe Cocker: Mad Dog with Soul"
Adam LeFevre - "You Can Count on Me", "Music of the Heart", "Fair Game", "Gold"
Jay Leno - "I'm Still Here", "Amy", "Glen Campbell: I'll Be Me", "20 Feet from Stardom"
David Letterman - "I'm Still Here", "Hype!", "Amy", "20 Feet from Stardom"
Kurt Loder - "Atomic Blonde", "Long Strange Trip", "Hype!", "The Wrecking Crew!"
Matthew Maher - "I'm Still Here", "The Finest Hours", "Lady Bird", "While We're Young"
Dean Martin - "Keith Richards: Under the Influence", "Elvis Presley: The Searcher", "Michael Jackson's Journey from Motown to Off the Wall", "The Wrecking Crew!"
George Martin - "The Beatles: Eight Days a Week - The Touring Years", "How the Beatles Changed the World", "It Was Fifty Years Ago Today! The Beatles: Sgt. Pepper & Beyond", "Eric Clapton: Life in 12 Bars"
Margo Martindale - "Table 19", "The Human Stain", "Downsizing", "Wilson"
Gavin Muir - 4 Sherlock Holmes movies
Terry Notary - "Warcraft: The Beginning", "Avengers: Infinity War", "War for the Planet of the Apes", "Kong: Skull Island"
Ellen Page - "Smart People", "Whip It", "Flatliners", "Hard Candy"
Josh Pais - "Going in Style", "Music of the Heart", "I Saw the Light", "The Family Fang"
Randall Park - "The House", "Ant-Man and the Wasp", "The Disaster Artist", "Office Christmas Party"
Ron Perlman - "Fantastic Beasts and Where to Find Them", "Moonwalkers", "The Spiderwick Chronicles", "Chuck"
Michelle Pfeiffer - "Frankie and Johnny", "People Like Us", "Murder on the Orient Express", "Ant-Man and the Wasp"
Elvis Presley - "How the Beatles Changed the World", "Keith Richards: Under the Influence", "Elvis Presley: The Searcher", "27: Gone Too Soon"
Lou Reed - "Jimi Hendrix", "Clive Davis: The Soundtrack of Our Lives", "Michael Jackson's Journey from Motown to Off the Wall", "Bowie: The Man Who Changed the World"
John C. Reilly - "Dolores Claiborne", "Carnage", "The Lobster", "Kong: Skull Island"
Mark Ronson - "Amy", "Gaga: Five Foot Two", "George Michael: Freedom", "Michael Jackson's Journey from Motown to Off the Wall"
Paul Rudd - "Rush: Time Stand Still", "Mute", "The Fundamentals of Caring", "Ant-Man & The Wasp"
Michael Shannon - "Loving", "Nocturnal Animals", "Fahrenheit 451", "The Shape of Water"
Frank Sinatra - "Elvis Presley: The Searcher", "Michael Jackson's Journey from Motown to Off the Wall", "The Wrecking Crew!", "Super Duper Alice Cooper"
Karan Soni - "Deadpool 2", "Goosebumps", "Office Christmas Party", "Rough Night"
Ben Stiller - "I'm Still Here", "While We're Young", "The Meyerowitz Stories (New and Selected)", "Envy"
Ed Sullivan - "The Beatles: Eight Days a Week - The Touring Years", "Elvis Presley: The Searcher", "The Doors: When You're Strange", "Mr. Dynamite: The Rise of James Brown"
Elizabeth Taylor - "The Comedians", "The Sandpiper", "The V.I.P.s", "Anne of the Thousand Days"
Christopher Walken - "The Stepford Wives", "The Family Fang", "Jersey Boys", "Envy"
Andy Warhol - "The Doors: When You're Strange", "Michael Jackson's Journey from Motown to Off the Wall", "Bowie: The Man Who Changed the World", "Super Duper Alice Cooper"
Sigourney Weaver - "A Monster Calls", "The Meyerowitz Stories (New and Collected)", "Holes", "The Beatles: Eight Days a Week - The Touring Years"
Bob Weir - "Janis: Little Girl Blue", "The Other One: The Long, Strange Trip of Bob Weir", "Long Strange Trip", "Clive Davis: The Soundtrack of Our Lives"
Celia Weston - "No Reservations", "Far from Heaven", "Junebug", "Happy Tears"
Bruce Willis - "I'm Still Here", "Split", "Rock the Kasbah", "Alpha Dog"
Brian Wilson - "How the Beatles Changed the World", "Mr. Dynamite: The Rise of James Brown", "The Beach Boys: Making Pet Sounds", "The Wrecking Crew!"
Stevie Wonder - "George Michael: Freedom", "Clive Davis: The Soundtrack of Our Lives", "20 Feet from Stardom", "Michael Jackson's Journey from Motown to Off the Wall"
George Woodbridge - "The Mummy" (1959), "The Curse of the Werewolf", "Horror of Dracula", "Dracula: Prince of Darkness"

With 3 appearances:
Lou Adler - "Clive Davis: The Soundtrack of Our Lives", "20 Feet from Stardom", "The Wrecking Crew!"
Sasha Allen - "The Rolling Stones Olé, Olé, Olé!: A Trip Across Latin America", "The Rolling Stones Havana Moon", "Crossfire Hurricane"
Claud Allister - "Kiss Me Kate", "The Private Life of Henry VIII", "Dracula's Daughter"
Evelyn Ankers - "Sherlock Holmes and the Voice of Terror", "The Pearl of Death", "Son of Dracula"
Mark Arnold - "Bridget Jones's Baby", "Florence Foster Jenkins", "Kingsman: The Golden Circle"
Lionel Atwill - "The Hound of the Baskervilles", "Sherlock Holmes and the Secret Weapon", "House of Dracula"
Bob Balaban - "No Reservations", "Mascots", "Isle of Dogs"
Seth Barrish - "Going in Style", "The Post", "The Family Fang"
Jason Bateman - "The Gift", "The Family Fang", "Office Christmas Party"
Will Beinbrink - "The Disappearance of Eleanor Rigby: Her", "The Disappearance of Eleanor Rigby: Them", "I Saw the Light"
Jillian Bell - "Goosebumps", "Office Christmas Party", "Rough Night"
Paul Bettany - "Avengers: Infinity War", "Wimbledon", "Solo: A Star Wars Story"
Billy Bevan - "The Pearl of Death", "Terror by Night", "Dracula's Daughter"
Javier Botet - "Crimson Peak", "It", "The Mummy"
Guy Boyd - "Winter Passing", "While We're Young", "Ghost Story"
Pattie Boyd - "How the Beatles Changed the World", "It Was Fifty Years Ago Today! The Beatles: Sgt. Pepper & Beyond", "Eric Clapton: Life in 12 Bars"
Jeff Bridges - "Hell or High Water", "Clive Davis: The Soundtrack of Our Lives", "Kingsman: The Golden Circle"
Jim Broadbent - "Bridget Jones's Baby", "The Legend of Tarzan", "Big Game"
Hillary Brooke - "Sherlock Holmes and the Voice of Terror", "Sherlock Holmes Faces Death", "The Woman in Green"
James Brown - "Eric Clapton: Life in 12 Bars", "Michael Jackson's Journey from Motown to Off the Wall", "Mr. Dynamite: The Rise of James Brown"
Ty Burrell - "Butter", "Fair Game", "Rough Night"
George H.W. Bush - "American Made", "Gaga: Five Foot Two", "The Polka King"
David Byrne - "20 Feet from Stardom", "Stop Making Sense", "Michael Jackson's Journey from Motown to Off the Wall"
Bill Camp - "Loving", "Hostiles", "Gold"
Johnny Carson - "Whitney: Can I Be Me", "Glen Campbell: I'll Be Me", "Super Duper Alice Cooper"
Paul Cavanagh - "The Scarlet Claw", "The House of Fear", "The Woman in Green"
Dick Clark - "Clive Davis: The Soundtrack of Our Lives", "Michael Jackson's Journey from Motown to Off the Wall", "The Wrecking Crew!"
Matt Clifford - "The Rolling Stones Olé, Olé, Olé!: A Trip Across Latin America", "The Rolling Stones Havana Moon", "Crossfire Hurricane"
Bill Clinton - "Now More than Ever: The History of Chicago", "Glen Campbell: I'll Be Me", "History of the Eagles"
E.E. Clive - "The Hound of the Baskervilles", "The Adventures of Sherlock Holmes", "Dracula's Daughter"
Kurt Cobain - "27: Gone Too Soon", "Kurt & Courtney", "Hype!"
Natalie Cole - "Eric Clapton: Life in 12 Bars", "Amy", "Clive Davis: The Soundtrack of Our Lives"
Toni Collette - "Like Minds", "xXx: Return of Xander Cage", "Shaft"
Alice Cooper - "Super Duper Alice Cooper", "Lemmy", "The Decline of Western Civilization Part II: The Metal Years"
James Corden - "The Emoji Movie", "George Michael: Freedom", "Clive Davis: The Soundtrack of Our Lives"
James Cosmo - "Ben-Hur", "Moonwalkers", "T2 Trainspotting"
Kevin Costner - "Hidden Figures", "Whitney: Can I Be Me", "Clive Davis: The Soundtrack of Our Lives"
Steve Coulter - "Kill the Messenger", "The Birth of a Nation", "American Made"
Katie Couric - "Whitney: Can I Be Me", "Clive Davis: The Soundtrack of Our Lives", "Eat That Question: Frank Zappa in His Own Words"
David Crosby - "History of the Eagles", "20 Feet from Stardom", "The Wrecking Crew!"
Russell Crowe - "War Machine", "A Good Year", "The Mummy"
Tom Cruise - "American Made", "History of the Eagles", "The Mummy"
Henry Daniell - "Sherlock Holmes and Voice of Terror", "Sherlock Holmes in Washington", "The Woman in Green"
Embeth Davidtz - "Matilda", "Junebug", "The Emperor's Club"
Sammy Davis Jr. - "Michael Jackson's Journey from Motown to Off the Wall", "Mr. Dynamite: The Rise of James Brown", "The Wrecking Crew!"
Karl Denson - "The Rolling Stones Olé, Olé, Olé!: A Trip Across Latin America", "The Rolling Stones Havana Moon", "Crossfire Hurricane"
David Denman - "Smart People", "The Gift", "Fair Game"
Laura Dern - "Downsizing", "Wilson", "The Prize Winner of Defiance, Ohio"
Zoey Deutch - "Everybody Wants Some!!", "Rebel in the Rye", "The Disaster Artist"
Danny DeVito - "Matilda", "The Comedian", "I'm Still Here"
Micky Dolenz - "27: Gone Too Soon", "The Wrecking Crew!", "Super Duper Alice Cooper"
Adam Driver - "Silence", "While We're Young", "The Meyerowitz Stories (New and Selected)"
Aaron Eckhart - "Bleed for This", "Rabbit Hole", "No Reservations"
Cass Elliot - "Janis: Little Girl Blue", "Clive Davis: The Soundtrack of Our Lives", "The Wrecking Crew!"
John Entwhistle - "Janis: Little Girl Blue", "The Kids Are Alright", "Rush: Time Stand Still"
Brian Epstein - "The Beatles: Eight Days a Week - The Touring Years", "How the Beatles Changed the World", "It Was Fifty Years Ago Today! The Beatles: Sgt. Pepper & Beyond"
Jon Favreau - "People Like Us", "Wimbledon", "Solo: A Star Wars Story"
Mary Forbes - "The Adventures of Sherlock Holmes", "Sherlock Holmes in Washington", "Terror by Night"
Bernard Fowler - "The Rolling Stones Olé, Olé, Olé!: A Trip Across Latin America", "The Rolling Stones Havana Moon", "Crossfire Hurricane"
Stephen Fry - "Alice Through the Looking Glass", "The Man Who Knew Infinity", "Le Divorce"
Josh Gad - "Beauty and the Beast", "Murder on the Orient Express", "Wish I Was Here"
Mike Garson - "Ziggy Stardust and the Spiders from Mars", "David Bowie: The Last Five Years", "Bowie: The Man Who Changed the World"
David Geffen - "George Michael: Freedom", "History of the Eagles", "Clive Davis: The Soundtrack of Our Lives"
McKenna Grace - "I, Tonya", "Ready Player One", "Gifted"
Hugh Grant - "I'm Still Here", "Bridget Jones's Baby", "Florence Foster Jenkins"
Judy Greer - "War for the Planet of the Apes", "Ant-Man and the Wasp", "Wilson"
Bob Gunton - "I Heart Huckabees", "Rendition", "Dolores Claiborne"
Bill Hader - 3 "Disappearance of Eleanor Rigby" films
Kirk Hammett - "Lemmy", "Metallica: Some Kind of Monster", "Rush: Beyond the Lighted Stage"
Tom Hanks - "The Post", "Keith Richards: Under the Influence", "Concert for George"
Jerry Harrison - "The Other One: The Long, Strange Trip of Bob Weir", "20 Feet from Stardom", "Stop Making Sense"
Dennis Haysbert - "Far From Heaven", "Breach", "Kodachrome"
Lucas Hedges - "Three Billboards Outside Ebbing, Missouri", "Kill the Messenger", "Lady Bird"
Philip Seymour Hoffman - "Love Liza", "Owning Mahowny", "God's Pocket"
Arthur Hohl - "The Adventures of Sherlock Holmes", "The Spider Woman", "The Scarlet Claw"
Whitney Houston - "George Michael: Freedom", "Whitney: Can I Be Me", "Clive Davis: The Soundtrack of Our Lives"
Bryce Dallas Howard - "Gold", "Pete's Dragon", "Jurassic World: Fallen Kingdom"
Kate Hudson - "Le Divorce", "Wish I Was Here", "Rock the Kasbah"
Jeremy Irons - "The Man Who Knew Infinity", "Assassin's Creed", "Appaloosa"
Hugh Jackman - "Butter", "The Greatest Showman", "Deadpool 2"
Nikki M. James - 3 "Disappearance of Eleanor Rigby" movies
Allison Janney - "The Girl on the Train", "Miss Peregrine's Home for Peculiar Children", "I, Tonya"
Jay-Z - "Amy", "Clive Davis: The Soundtrack of Our Lives", "Mr. Dynamite: The Rise of James Brown"
Al Jardine - "Mr. Dynamite: The Rise of James Brown", "The Beach Boys: Making Pet Sounds", "The Wrecking Crew!"
Darryl Jones - "The Rolling Stones Olé, Olé, Olé!: A Trip Across Latin America", "The Rolling Stones Havana Moon", "Crossfire Hurricane"
Toby Jones - "The Man Who Knew Infinity", "Jurassic World: Fallen Kingdom", "Atomic Blonde"
Michael B. Jordan - "Black Panther", "Fahrenheit 451", "Fruitvale Station"
Jaiden Kaine - "Mr. Right", "Hidden Figures", "The Family Fang"
Florence Kasumba - "Black Panther", "Avengers: Infinity War", "Mute"
Harvey Keitel - "The Comedian", "Youth", "Isle of Dogs"
John F. Kennedy - "Hidden Figures", "How the Beatles Changed the World", "The Doors: When You're Strange"
Patrick Kennedy - "Atonement", "Mr. Holmes", "A Good Year"
Marwan Kenzari - "Ben-Hur", "Murder on the Orient Express",  "The Mummy"
Lemmy Kilmister - "We Are Twisted Fucking Sister", "Lemmy", "The Decline of Western Civilization Part II: The Metal Years"
Carole King - "History of the Eagles", "Clive Davis: The Soundtrack of Our Lives", "The Wrecking Crew!"
Keira Knightley - "Atonement", "Collateral Beauty", "Pirates of the Caribbean: Dead Men Tell No Tales"
Zoë Kravitz - "Fantastic Beasts and Where to Find Them", "No Reservations", "Rough Night"
Bill Kreutzmann - "The Other One: The Long, Strange Trip of Bob Weir", "Long Strange Trip", "Clive Davis: The Soundtrack of Our Lives"
Lady Gaga - "How the Beatles Changed the World", "Gaga: Five Foot Two", "Bowie: The Man Who Changed the World"
Peter Lawford - "Easter Parade", "Royal Wedding", "Sherlock Holmes Faces Death"
Julian Lennon - "It Was Fifty Years Ago Today! The Beatles: Sgt. Pepper & Beyond", "Chuck Berry Hail! Hail! Rock 'n' Roll", "Whitney: Can I Be Me"
Phil Lesh - "The Other One: The Long, Strange Trip of Bob Weir", "Long Strange Trip", "Clive Davis: The Soundtrack of Our Lives"
Ted Levine - "Bleed for This", "Jurassic World: Fallen Kingdom", "Big Game"
Juliette Lewis - "Janis: Little Girl Blue", "Nerve", "Whip It"
Mike Love - "Mr. Dynamite: The Rise of James Brown", "The Beach Boys: Making Pet Sounds", "The Wrecking Crew!"
Matt Malloy - "Far From Heaven", "Loving", "The Stepford Wives"
Miles Mander - "The Private Life of Henry VIII", "The Scarlet Claw", "The Pearl of Death"
Eddie Marsan - "God's Pocket", "Deadpool 2", "Atomic Blonde"
Frances McDormand - "Three Billboards Outside Ebbing, Missouri", "North Country", "Isle of Dogs"
Ron McKernan - "Janis: Little Girl Blue", "The Other One: The Long, Strange Trip of Bob Weir", "Long Strange Trip"
Joshua Mikel - "I, Tonya", "Ant-Man and the Wasp", "Office Christmas Party"
E. Roger Mitchell - "Kill the Messenger", "American Made", "Goosebumps"
Julianne Moore - "Far From Heaven", "The Prize Winner of Defiance, Ohio", "Kingsman: The Golden Circle"
Hattie Morahan - "Alice Through the Looking Glass", "Beauty and the Beast", "Mr. Holmes"
Jim Morrison - "The Doors: When You're Strange", "27: Gone Too Soon", "Super Duper Alice Cooper"
Enrique Murciano - "Bright", "Collateral Beauty", "Rough Night"
Bill Murray - "Isle of Dogs", "Rock the Kasbah", "Clive Davis: The Soundtrack of Our Lives"
Liam Neeson - "Silence", "A Monster Calls", "The Grey"
Julianne Nicholson - "I, Tonya", "Two Weeks", "One True Thing"
Barack Obama - "I'm Still Here", "The Rolling Stones Olé, Olé, Olé!: A Trip Across Latin America", "Rush: Time Stand Still"
Bob Odenkirk - "The Post", "The Disaster Artist", "Incredibles 2"
Elizabeth Olsen - "I Saw the Light", "Kodachrome", "Avengers: Infinity War"
John Ortiz - "Going in Style", "The Finest Hours", "Kong: Skull Island"
Chris Pine - "People Like Us", "Hell or High Water", "The Finest Hours"
Brad Pitt - "War Machine", "Allied", "Deadpool 2"
Jesse Plemons - "The Post", "American Made", "Hostiles"
Iggy Pop - "Bowie: The Man Who Changed the World", "Super Duper Alice Cooper", "We Are Twisted Fucking Sister"
Natalie Portman - "I'm Still Here", "Jane Got a Gun", "Brothers"
Parker Posey - "Happy Tears", "Hemingway & Gellhorn", "Mascots"
Billy Preston - "The Beatles: Eight Days a Week - The Touring Years", "20 Feet from Stardom", "Concert for George"
Luce Rains - "Appaloosa", "Brothers", "Hostiles"
Wyatt Ralff - "The Disappearance of Eleanor Rigby: Her", "The Disappearance of Eleanor Rigby: Them", "While We're Young"
Edgar Ramirez - "Bright", "The Girl on the Train", "Gold"
Don Randi - "Glen Campbell: I'll Be Me", "The Beach Boys: Making Pet Sounds", "The Wrecking Crew!"
Ronald Reagan - "American Made", "Atomic Blonde", "Long Strange Trip"
Jeremy Renner - "North Country", "The House", "Kill the Messenger"
Ryan Reynolds - "Life", "Deadpool 2", "The Hitman's Bodyguard"
Tim Ries - "The Rolling Stones Olé, Olé, Olé!: A Trip Across Latin America", "The Rolling Stones Havana Moon", "Crossfire Hurricane"
Joan Rivers - "I'm Still Here", "Whitney: Can I Be Me", "Clive Davis: The Soundtrack of Our Lives"
Robbie Robertson - "Chuck Berry Hail! Hail! Rock 'n' Roll", "Elvis Presley: The Searcher", "Clive Davis: The Soundtrack of Our Lives"
Sam Rockwell - "Three Billboards Outside Ebbing, Missouri", "Mr. Right", "Mute"
Genesis Rodriguez - "Tusk", "Yoga Hosers", "Casa de mi Padre"
Seth Rogen - "Take This Waltz", "The Spiderwick Chronicles", "The Disaster Artist"
Saoirse Ronan - "The Way Back", "Atonement", "Lady Bird"
Diana Ross - "Clive Davis: The Soundtrack of Our Lives", "Michael Jackson's Journey from Motown to Off the Wall", "Super Duper Alice Cooper"
Leon Russell - "Joe Cocker: Mad Dog with Soul", "20 Feet from Stardom", "The Wrecking Crew!"
Wyatt Russell - "Table 19", "Goon: Last of the Enforcers", "Everybody Wants Some!!"
Peter Sallis - "The V.I.P.s", "The Curse of the Werewolf", "Taste the Blood of Dracula"
Rodrigo Santoro - "Ben-Hur", "Jane Got a Gun", "Hemingway & Gellhorn"
Diane Sawyer - "27: Gone Too Soon", "Whitney: Can I Be Me", "Clive Davis: The Soundtrack of Our Lives"
Liev Schreiber - "Goon: Last of the Enforcers", "Isle of Dogs", "Chuck"
Adam Scott - "Leap Year", "The Overnight", "The Disaster Artist"
Jason Schwartzman - "The Overnight", "I Heart Huckabees", "The Polka King"
Amanda Seyfried - "Mamma Mia!", "Alpha Dog", "While We're Young"
Paul Shaffer - "I'm Still Here", "Now More than Ever: The History of Chicago", "20 Feet from Stardom"
Michael Sheen - "Alice Through the Looking Glass", "Nocturnal Animals", "Kill the Messenger"
Sally Shepherd - "The House of Fear", "The Woman in Green", "Dressed to Kill"
Sarah Silverman - "Take This Waltz", "The Bachelor", "The Book of Henry"
Bill Skarsgard - "Deadpool 2", "Atomic Blonde", "It"
Jayson Warner Smith - "I Saw the Light", "The Birth of a Nation", "American Made"
Phil Spector - "20 Feet from Stardom", "The Beach Boys: Making Pet Sounds", "The Wrecking Crew!"
Sebastian Stan - "Black Panther", "I, Tonya", "Avengers: Infinity War"
Maureen Starkey - "How the Beatles Changed the World", "It Was Fifty Years Ago Today! The Beatles: Sgt. Pepper & Beyond", "Ziggy Stardust and the Spiders from Mars"
Rod Stewart - "Joe Cocker: Mad Dog with Soul", "Clive Davis: The Soundtrack of Our Lives", "20 Feet from Stardom"
Sting - "History of the Eagles", "20 Feet from Stardom", "Quiet Riot: Well Now You're Here, There's No Way Back"
David Strathairn - "The Spiderwick Chronicles", "Dolores Claiborne", "Hemingway & Gellhorn"
Mark Strong - "The Way Back", "Kingsman: The Golden Circle", "Before I Go to Sleep"
Miles Teller - "Bleed for This", "War Dogs", "Rabbit Hole"
Ahmir-Khalib "Questlove" Thompson - "Amy", "Michael Jackson's Journey from Motown to Off the Wall", "Mr. Dynamite: The Rise of James Brown"
Emma Thompson - "Beauty and the Beast", "Bridget Jones's Baby", "The Meyerowitz Stories (New and Selected)"
Justin Timberlake - "Alpha Dog", "Michael Jackson's Journey from Motown to Off the Wall", "Mr. Dynamite: The Rise of James Brown"
Robert Trujillo - "Lemmy", "God Bless Ozzy Osbourne", "Metallica: Some Kind of Monster"
Steven Tyler - "Clive Davis: The Soundtrack of Our Lives", "Michael Jackson's Journey from Motown to Off the Wall", "The Decline of Western Civilization Part II: The Metal Years"
Lars Ulrich - "Hemingway & Gellhorn", "Lemmy", "Metallica: Some Kind of Monster"
Courtney B. Vance - "Isle of Dogs", "The Mummy", "Office Christmas Party"
Christoph Waltz - "Downsizing", "Carnage", "The Legend of Tarzan"
Mia Wasikowska - "Albert Nobbs", "Alice Through the Looking Glass", "Crimson Peak"
Muddy Waters - "Eric Clapton: Life in 12 Bars", "Jimi Hendrix: Voodoo Child", "Keith Richards: Under the Influence"
Jimmy Webb - "Glen Campbell: I'll Be Me", "Joe Cocker: Mad Dog with Soul", "The Wrecking Crew!"
Rachel Weisz - "Youth", "The Lobster", "Envy"
Tina Weymouth - "20 Feet from Stardom", "Stop Making Sense", "Michael Jackson's Journey from Motown to Off the Wall"
Bradley Whitford - "Get Out", "The Post", "I Saw the Light"
Steven Wiig - "Hemingway & Gellhorn", "Metallica: Some Kind of Monster", "Ant-Man & the Wasp"
Olivia Wilde - "People Like Us", "Butter", "Alpha Dog"
Michael Kenneth Williams - "Assassin's Creed", "Kill the Messenger", "Time Out of Mind"
Carl Wilson - "Mr. Dynamite: The Rise of James Brown", "The Beach Boys: Making Pet Sounds", "The Wrecking Crew!"
Dennis Wilson - "Mr. Dynamite: The Rise of James Brown", "The Beach Boys: Making Pet Sounds", "The Wrecking Crew!"
Rita Wilson - "Mamma Mia!", "My Life in Ruins", "My Big Fat Greek Wedding 2"
Sally Wingert - "North Country", "The Straight Story", "Wilson"
Marjorie Wood - "Show Boat", "Annie Get Your Gun", "Seven Brides for Seven Brothers"
Letitia Wright - "Black Panther", "Avengers: Infinity War", "Ready Player One"
Keenan Wynn - "Royal Wedding", "Annie Get Your Gun", "Kiss Me Kate"
Maharishi Mahesh Yogi - "How the Beatles Changed the World", "It Was Fifty Years Ago Today! The Beatles: Sgt. Pepper & Beyond", "27: Gone Too Soon"
Russell Yuen - "Owning Mahowny", "The Human Stain", "The Red Violin"
Frank Zappa - "The Wrecking Crew!", "Eat That Question: Frank Zappa in His Own Words", "Super Duper Alice Cooper"
George Zucco - "The Adventures of Sherlock Holmes", "Sherlock Holmes in Washington", "Topper Returns"

Well, you can't say I didn't cover everything this year, from A to Z - or Alice Cooper to Frank Zappa, if you will.  But what's ahead, what's coming up in Year 11?  I've only got it planned out to mid-March, so there's a lot of mystery after that, but after my last re-ordering, January is all about priorities, trying to get to some of the most important (by my way of thinking, anyway) films of the last year or so, the ones I just haven't been able to link to yet, like "Annihilation", "Suburbicon" and "Mission: Impossible - Fallout".  Then in February will be my annual review of romance films, and in both January and February I'm looking to dip heavily into the Netflix list to make the linking possible, and to try to reduce it, plus to get to films like "Game Over, Man" and "A Futile and Stupid Gesture" that fell through the cracks in 2018.  But I'll be watching some Academy screeners in January too - "Vice" is the most important one that I want to see, and there's an opportunity to make that part of a Steve Carell chain that includes "Battle of the Sexes", "Last Flag Flying" and maybe "Welcome to Marwen".  So there's always something to look forward to here at the Movie Year, and Year 11 is already swelling with hope, as it should.

Saturday, December 29, 2018

Ghost in the Shell

Year 10, Day 363 - 12/29/18 - Movie #3,100

BEFORE: This is it, my last film of the year.  I worked out this schedule months ago to end here, roughly on or around this date, so I could still have a couple of days left in 2018 to write my recap post for the year.  (Truthfully, I've already started it, but I'm going to need the next 2 days to finish it.). Like the U.S. government, I've been in shutdown mode for the last week or so, but that was necessary to celebrate Christmas in a different state (physically as well as mentally) and so I could concentrate on the holiday AND the work I had to do at the studio to get Kickstarter rewards mailed out before the break.  You know, the job that pays me money and allows me to devote my leisure time to things like movies and comic books?  Once in a while it has to take priority.

But why here, why now?  Why end on this movie, which doesn't even really seem like it's up my alley?  I've never paid much attention to manga or things derived from it.  I got this film months ago, back when I could still dub films to DVD, and paired it with "Atomic Blonde", though now I think the two films don't have much in common except for strong female leads who fight bad guys.  I guess we'll see.  But this film got earmarked as one of my "one-linkables", meaning that at the moment, it only links to one other film on my list, which was "Rough Night".  With a largely Japanese cast, that's not too surprising.  But the last day of the year is a perfect place for such a film, because I'm going to start a new chain on January 1, and I don't require that the last film of one year links to the first film of the next - it's a time for renewal and starting fresh, right?

Of course, I could sit on this film for another few months, and eventually it would link up to "Avengers: Endgame", but I figure that film will have such a big cast that there should be at least a dozen different ways to link to it.  So I'd rather clear the books of this one, with Scarlett Johansson carrying over from "Rough Night", and be done with it.


THE PLOT: In the near future, Major Mila Killian is the first of her kind: A human saved from a terrible crash who is cyber-enhanced to be a perfect soldier devoted to stopping the world's most dangerous criminals.

AFTER: Lord help me, what did I just watch?  I kind of figured this movie might not be my cup of tea, but I barely understood what was going on throughout the whole film.  I've got to pause here and read the recap on Wiki just to figure out what the hell happened....

OK, here's what I've been able to determine - this is set in a future-era Japan (or perhaps Hong Kong, because they never really say...) where humans are commonly enhancing themselves with cybernetics.  Androids also exist, but their A.I. is still just not as good as human intelligence - so into this mix comes Major, the first human brain transplanted into a robot body.  Though she can't remember her past, she still retains emotions and her spirit, which represent the title of the film, she's like a ghost in a shell.  Her back-story is that she was the sole survivor of a cyberterrorist attack that she can't remember, but now she works for Section 9, an anti-terrorist government bureau.  We see her and her team fighting against robotic geishas who attack a conference of businessmen from Hansa Robotics, which just happens to be the company that built her.  This leads her to an entity that can "hack" enhanced people and make them do things, and eventually to Kuze, the man/machine behind it all.  Then she gets framed for something and the plot gets all murky again, but she eventually learns who she really is - sorry, was - and naturally it's all connected to Kuze and how she came to be what she is.

If you don't know the manga story behind this, and I don't, then it comes across as sort of a pastiche of other films set in the tech-driven future, like "Robocop", "Blade Runner" and "The Matrix".  And I think those films will stand the test of time, even if their sequels don't.  History may not remember this one, because it's a re-tread of the future visions that have come before, and have not happened yet.  It's funny, because technological progress has supposedly gotten faster and faster, like I have to tell people in their 20's about a time when there were no smart-phones and no internet, and they just stare at me like they can't even conceive of that.  But then, why does the future with the flying cars, the cybernetic organs and the VR dreamscape always seem like it's still 20 or 30 years away?  My guess is that Hollywood's entertainment conglomerates still make megabucks from dangling this future in front of us, but if it were HERE, well, then they couldn't really do that, could they?  By the time the super-great future tech is here, I may be too old to enjoy it.

But back to the film.  Major's story also reminds me of Wolverine's, another character who was turned into an enhanced soldier against his will, and didn't remember his past for the longest time.  He also had a connection to Japan, so now I wonder how much of Wolverine's story was ripped off from typical manga plot points.  In his solo comics he would often visit Japan or Madripoor (a fictional Singapore-like island nation with advanced tech, like an Asian Wakanda) and he even had a Japanese fiancée for a time, and he'd end up fighting with Silver Samurai or Viper or other Asian villains.  And now that there's also a female Wolverine (sometimes called X-23) it's hard for me to know which stories are ripping off which.

This film got some bad press in the U.S. for casting a Caucasian actress in the lead role of an Asian character, then got even more bad press when it was revealed that they tested CGI that would make her look more Asian.  Yeah, that's only going to make things worse.  I understand that they'd think that Scarlett Johansson would put more asses in the theater seats, but then if they made her look Asian, then what's the point of casting her in the first place?  Plus it's racially insensitive twice over - "we want an actress to look Asian, but not to actually BE Asian".  Same goes for Tilda Swinton as the Ancient One in the "Dr. Strange" movie - sure, a white actress in her 30's can play an Asian sorcerer who's hundreds of years old, but is it really the BEST casting idea?  Then if they had put her in heavy "old" make-up to look more like the character, that would just be like admitting the mistake.

I don't know, part of me hates to end the year like this, with a film I didn't really care for and barely understood.  I turned down chances to see "Spider-Man: Into the Spider-Verse" (which could have linked from "Rough Night" via Zoe Kravitz) and "Aquaman" (which could have linked from "Office Christmas Party" via Randall Park) to leave the final slot open for this film, and now that seems like a terrible decision. Time will tell if I made the right decision as far as linking is concerned.  Oh, well, at least I've got the 2018 recap post to look forward to - but I'll work on that tomorrow - and then a new Movie Year begins in just a couple of days.  Where will that one start, and more importantly, how will it end?  I have no idea about that last part - just as I could never have predicted when starting 2018 with "Pee-Wee's Big Holiday" that it would end like this, not with a bang but instead with a very confused whimper, and a shrug.

Also starring "Beat" Takeshi Kitano (last seen in "Johnny Mnemonic"), Michael Carmen Pitt (last seen in "Hedwig and the Angry Inch"), Pilou Asbaek (last seen in "Ben-Hur"), Chin Han (last seen in "Independence Day: Resurgence"), Juliette Binoche (last seen in "Godzilla"), Peter Ferdinando (last seen in "Snow White and the Huntsman"), Kaori Momoi, Kaori Yamamoto, Andrew Morris, Andrew Stehlin, Lasarus Ratuere, Danusia Samal, Anamaria Marinca, Michael Wincott (last seen in "Forsaken"), Yutaka Izumihara (last seen in "Unbroken"), Tawanda Manyimo, Daniel Henshall, Rila Fukushima (last seen in "The Wolverine"), Chris Obi (last seen in "The Counsellor"), Adwoa Aboah, Pete Teo, Hugh Han.

RATING: 3 out of 10 giant holograms

Friday, December 28, 2018

Rough Night

Year 10, Day 362 - 12/28/18 - Movie #3,099

BEFORE: I'm back from Christmas break, we had a good visit with my parents, saw family and friends, ate a great Christmas dinner and opened some very handy presents, like Marvel DVDs and a toaster and a waffle-maker.  I had no luck at Foxwoods Casino, but my wife came out ahead, then we ate at the buffet, or rather, the substitute buffet since the main one was undergoing renovations.

I went back to work yesterday, and when I got home I found myself without anything dinner-like to put on a waffle, like fried chicken or pulled pork, so I stepped outside to go to the deli around the corner, only to see the sky suddenly get filled with blue light.  Now, I've been a New Yorker for 33 years, and I've seen a lot of crazy things, from steam-pipe explosions to terrorist attacks.  I was here for the big blackout of 2003, and I was about 1 block away from the FIRST attack on the World Trader Center back in 1993.  But I'd never seen the sky fill up with blue light before - my first thought was that it was some kind of explosion, but I never heard a loud BANG of any kind.  So my second thought was that there was a powerful spotlight a few blocks away in Queens promoting something, only there was no beam of light, and the lighting was very irregular.  In my mind, that left only an alien landing, or a North Korean nuclear bombing of Manhattan.

In the latter case, I figured the shock-wave would hit soon, and I'd be vaporized, and one of my last thoughts would be "I wonder if the deli has any small cans of SPAM".  And if it was an alien landing, I figured that would be on the news at 11.  It turned out to be neither, it was an explosion at a Con Ed substation in Astoria, Queens - roughly between me and Manhattan, so you can see how I incorrectly guessed that Manhattan had been blown up.  Oh, sure, I'd lose some friends, my comic shop and some very nice restaurants, but at least the upside would be that I wouldn't have to go to work on Friday.

I've got two more films to watch in 2018, and a few days to do it.  I'm including this one because it depicts a wild night of partying, and New Year's Eve is coming up.  Jillian Bell carries over from "Office Christmas Party", and so do two other actors. 


THE PLOT: Things go terribly wrong for a group of girlfriends who hire a male stripper for a bachelorette party in Miami.

AFTER: Well, it's not really a New Year's Eve party, obviously this is about a bachelorette party, but it's more or less the same, right?  And this feels like it follows in the vein of not only "Office Christmas Party" but also films like "The Hangover" and "Bridesmaids" - when those last two films hit big in 2009 and 2011, I figured we'd soon see a whole bunch of knock-off films.  This feels like one of them, because it's another group of 5/6 women, partying as a wedding approaches, and if you just replace Kristen Wiig with Scarlett Johansson, and real Australian Rebel Wilson with pretend Australian Kate McKinnon, I think you're halfway there.  Make the cast a little more diverse by adding an African-American and some gender-fluidity, and ride the wave of the #metoo movement.

Perhaps I'm being a bit too cynical - but that's how movies get greenlit, by taking one movie that was a boffo smash, tacking on a couple of current cultural trends, and then some studio writes you a check.  If I pitched something like "Mission: Impossible", only with a female lead of color and a male white villain, to ride the current trends in Hollywood, I guarantee I'd get some nibbles.  This is obviously how "Oceans Eight" and the "Tomb Raider" re-boot came into being, right?

But I'm left with the same feeling that I had after watching "Office Christmas Party", which is that the writers probably never attended the type of party in question in real life, because there's never been an office party like that before, or a bachelorette party like this one.  There's the tiniest foothold in reality, but things spin out of control so much, so fast, that it's impossible to believe that all of this, or really, any of this, could really take place.   And every character is an extreme caricature, so that it's hard to believe in any of them, or take any of their actions seriously.  Take the polyamorous couple that lives next door to the girls' rented Miami house - they're like a cartoon version of swingers, there's no attempt to really explain or explore their lifestyle, they just see a pretty girl they both like, and suddenly they're like horny zombies, completely out of control.  Since it's too hard to explain the concept of an open marriage, instead they just become pure representations of id, always on the prowl.  Surely there must be more to it than that.

Similarly, every character here seems to be taken to the extreme of whatever it is that makes them tick.  The activist character can't be just a regular person working for social change at the grass-roots level, instead she has to be the kind of person who chains herself to a tree in order to stop a forest from being cut down, and the best friend who comes on too strong can't just be a little overboard with her planning and her over-sharing, she's got to be WAY far in that direction in an attempt to mine some comedy gold here.  The lead character is no better, she's running for a state senate seat, so she's practically a Hillary clone, someone who is smart and deserves the office, but can't seem to master getting relatable human warmth across in her speeches, and her opponent is a man who's tweeting dick pics, but still somehow ahead in the polls, because he's a MAN.

So I wish the feminist agenda here could have been dialed back just a bit - I mean, sure it's great to see strong women, but does that mean that every male character has to be either an idiot, a stripper or a criminal?  If a man made a film that depicted every woman as one of those things, I bet there would be an uproar about it.  It seems more like if equality is the goal, then this film way overshot it.  And in the one heterosexual relationship in this film that is championed, the groom-to-be mistakenly thinks his fiancée has dumped him, so he desperately drives across three states wearing diapers, like that "sad astronaut" woman did a few years ago.  Right, you're sure to win her back if you take your friend's advice and wear diapers on a long car trip, while pounding Red Bulls and various drugs.

Naturally when events spiral out of control, it's a challenge to know how FAR to make them spin out of control, though recent trends in film have suggested that there's no such thing as too far.  But then when things get so far out of hand, it's a challenge to resolve everything in a way that feels legit, and that's my way of saying that things all work out in the end, but it just happens much too quickly, and therefore unbelievably.  The girls all panic when an accident takes out their male stripper, but the plot ends up going through unbelievable contortions to explain why that turns out to be OK, and none of them end up getting into trouble.

NITPICK POINTS are plentiful here, starting with the fact that the lead character says she can't be seen drinking or doing drugs, because she's running for public office.  Yet as soon as the wine gets poured or the cocaine gets, umm, lined up, there's no stopping her.  Did she just quickly forget that she shouldn't do those things?  Or is she so weak-willed that she caves under the slightest bit of peer pressure?  Or is this just an inconsistent character?

More N.P.s come around when everyone with any sense obviously knows what should be done when an accident occurs, namely call 911 for an ambulance and/or the police.  But these common-sense human actions are immediately rejected, because reasons, and therefore the situations are allowed to spiral further.  But it almost goes without saying that these people should have contacted authorities much, much sooner and could have avoided a lot of frustration, but then of course the film would only be a half-hour long.

And a little bit of research into what goes on at a real bachelorette party would, I'm guessing, have proven that nobody, nobody poses for pictures as a "human friend-ipede".  Because why would they? And do male strippers still dress up like police officers when they show up at parties?  For that matter, did they ever?  Since it's illegal to impersonate a police officer, I'm guessing that this practice has probably happened more times in movies than in real life.  For that matter, I'm calling another NITPICK POINT since a stripper (male or female) and a prostitute (male or female) are two very different things, yet here they're practically interchangeable.  Not cool, ladies.

Also starring Scarlett Johansson (last heard in "Isle of Dogs"), Kate McKinnon (also carrying over from "Office Christmas Party"), Ilana Glazer (last seen in "The Night Before"), Zoe Kravitz (last seen in "No Reservations"), Paul W. Downs, Demi Moore (last seen in "Happy Tears"), Ty Burrell (last seen in "Fair Game"), Ryan Cooper (last seen in "The Great Gatsby"), Colton Haynes, Dean Winters (last seen in "John Wick"), Enrique Murciano (last seen in "Collateral Beauty"), Bo Burnham, Eric André (last seen in "Popstar: Never Stop Never Stopping"), Hasan Minhaj, Patrick Carlyle, Karan Soni (also carrying over from "Office Christmas Party"), Peter Francis James (last seen in "True Story"), Matty Blake, Devin Ratray, Bob the Drag Queen.

RATING: 4 out of 10 confiscated cell phones